Black Classical Music
by Yussef Dayes
Released 8 September 2023
Brownswood Music
*****
‘Black Classical Music’ is such a sprawling masterpiece and musical autobiography, it seems impossible that it is celebrated multi-instrumentalist, masterful drummer and visionary artist Yussef Dayes' debut solo studio album. In fact, it is the inevitable result of a young man's musical journey: a frontrunner for Album of The Year status that marks Dayes as a giant of contemporary British Jazz.
Having been given a drum kit at the age of 4, by his bass-playing father, Dayes formed childhood bands with his brothers and along the way, age 10, was tutored by drum legend Billy Cobham. Playing what they described as "Afro-beat stylings with forward-looking jazz and rock", the young boys' band, named United Vibrations, released their first single "Ra!" in 2009 and their debut album "Galaxies Not Ghettos" in 2011. The EP "We Never Die" followed in 2012 and "The Myth of the Golden Ratio" in 2016.
Still in his teens, Dayes teamed with keyboardist Kamaal Williams for the short-lived duo Yussef Kamaal in 2016, releasing their only studio album 'Black Focus" on Brownswood and attracting widespread attention and acclaim.
In 2020, Dayes released a "What Kinda Music" with guitarist Tom Misch on Blue Note Records.
More recently, Dayes released "Live At Joshua Tree", an EP presented by Soulection, and other solo releases including the live album "Welcome To The Hills" and "Love Is The Message", which was recorded Live at Abbey Road Studios.
His list of collaborators is ever-growing and has blossomed to include the finest talents across both music and fashion.
For more Yussef Dayes music, link to our 20 August 2023 Blog entry "Yussef Dayes- Recent Releases and Collaborations", which anticipated the release of "Black Classical Music")
Read more... Bandcamp
On & On
by Jose James
Released 20 January 2023
Rainbow Blonde Records
*****
Jose James has been such a perennial favourite of ours that his records have all received four and five star ratings here - even his 2021 holiday release "Merry Christmas from Jose James".
His new release "On & On" pays homage to Erykah Badu, revisiting seven of her most outstanding songs, from all stages of her career, representing them in his very own style.
He is supported on this project by a truly exceptional young group of musicians: Big Yuki (Fender Rhodes and Hammond), Ebban Dorsey (alto), Diana Dzhabbar (flute and alto). Ben Williams (bass).
James uses the album cover artwork to pay further homage to the great Alice Coltrane: the cover photograph and typology replicas the cover of Coltrane's increasingly influential 1967 release "Journey in Satchidananda". Whereas Coltrane credited tenor saxophonist Pharoah Sanders on her cover, James credits rising saxophonists Dorsey and Dzhabbar.
All class.
NOTE: If you'd like to hear the Badu originals alongside Jose James' covers, (and the Alice Coltrane album that inspired the JJ cover art) there's a playlist for that: On & On - Jose James covers Erykah Badu. Played back-to-back this way, the Jose James versions really stand up well.
Street of Minarets
by Dhafer Youssef
Released 27 January 2023
Black Best Edition
*****
Oud master, vocalist and composer Dhafer Youssef is at the vanguard of a movement in contemporary music that brings East and West together. He is building bridges between different music. As one of the most inventive oud players, he has freed the instrument from its traditional role and brought it into jazz. And just look at the stellar lineup of players that he attracted to the cause of this amazing record:
Dhafer Youssef, oud, vocals
Herbie Hancock, piano
Marcus Miller, bass
Nguyên Lê, guitar
Rakesh Chaurasia, flute
Adriano Dos Santos Tenori, percussion
Dave Holland, double bass
Vinnie Colaiuta, drums
Ambrose Akinmusire, trumpet
Heavy Heavy
by Young Fathers
Released 3 February 2023
Ninja Tune
*****
Scottish trio Young Fathers (Alloysious Massaquoi, Kayus Bankole and Graham "G" Hastings) return with their first album in six years and they're once again rocking out with their patented recipe of measured abandon and meaningful lyrics, in their trademark chaotic, hybrid style that embraces rock, pop, hip-hop and soul and much. much more.
This (their fourth) album, is another classic that I am sure will feature among this website's top ten albums at the end of the year, as did their previous "Cocoa Sugar" (2018).
On Heavy Heavy, the Young Fathers' don't rely on teams of collaborators, spoken interludes, or overt studio effects: their work is contemporary development of comparatively "traditional" techniques.
Their Bandcamp entry for Heavy Heavy describes their approach: "(the) project signals a renewed back-to-basics approach, just the three of them in their basement studio, some equipment and microphones: everything always plugged in, everything always in reach."
However, the album's production is as spectacular as anything we're likely to hear this year.
The music is one of contrasts and constant mood swings, resulting is an engaging set that engages the listener, enticing them to take the album in in its entirety - and then to repeat play! It is alternately soft & loud, melodic & noisy, political & personal, calm & wild, serious & fun.
It shows that the Young Fathers have lost none of their potency during their six year hiatus and it places them at to very top of the musical pile.
Melusine
by Cecile McLorin Salvant
Released 24 March 2023
Nonesuch Records
*****
A serpent woman haunts Cecile McLorin Salvant's dreams on her boldly realized seventh album, 2023's Mélusine. Inspired by the European folktale most famously detailed by 14th century French writer Jean d'Arras, Mélusine tells the tale of a shapeshifting maiden, half-serpent/half-woman, whose righteous anger takes on ever-more dualistic meanings under Salvant's dynamic musical sway. Having been lavished with accolades, including several Grammy Awards for her clarion, swinging jazz and French chanson-infused albums, Salvant has increasingly leaned into the more stylistically experimental and personal aspects of her artistry. It was an approach she took to new levels with 2022's Ghost Song, performing her poetic originals alongside unexpected covers of songs by Kate Bush and Sting. Centered on the title track, which she composed during the Ghost Song sessions, Mélusine is a gorgeously realized production. Although there are some English lyrics here, the album features the most French Salvant has sung on record. Thankfully, she offers translations of each song with a sentence that also highlights how each track illuminates the story.
Source/Read More... AllMusic
Water Made Us
by Jamila Woods
Released 13 October 2023
Jagjaguwar
*****
On her expansive new album Water Made Us, Chicago musician and poet Jamila Woods shines anew as she asks the question, what does it mean to fully surrender into love? Across Water Made Us, Jamila embraces new genres, playful melodies, and hypnotizing wordplay, as she wades through the exhilarating tumult of love’s wreckage and refuge.
While 2017’s HEAVN saw Jamila celebrating her community within a lineage of Black feminist movement organizing, and 2019’s Legacy! Legacy! reframed her life’s experiences through the storied personas of iconic Black and brown artists, Water Made Us is self-revelatory in an entirely new way. The album reveals a new side of Jamila never fully shared with her previous work, making this her most personal album yet.
Read more... Bandcamp
The Color of Sound
by Kareem Ali
Released 28 July 2023
CosmoPlus Records
*****
The Color of Sound is a 7 track opus that blends, in Kareem’s trademark sound, deep house, jazz and a variety of elements that are not just sound elements. As always there’s a visual and cinematic side to his work that keeps to impress, cementing his status as one of the most talented and hard-working producers in the game.
The textures on this one are beyond mesmerizing. Intended to be played with over-the-ear headphones, The Color of Sound progresses naturally, travelling all the way from Kareem’s imagination to the minds, bodies and soul of the ones willing to dive deep into the record.
The bad-ass instrumentation is softly complemented by the touch of his trumpet, echoing through the warm night outside. And there’s nothing better than this - a trumpet playing in the night, conveying a nostalgic emotion that is finally there to be appreciated and felt. Kareem Ali is releasing some of his best works on vinyl which is great news for collectors. This record is no exception and is available on vinyl and digital - playing on repeat over here.
Read more... osotao
Art Make Love
by 30/70
Released 17 February 2023
Energy Exchange Records
*****
'ART MAKE LOVE’ is the fifth album by 30/70, the mothership of the internationally acclaimed Melbourne born collective. Expanding far beyond the previous markers of nu-soul and jazz; it is inspired heavily by broken beat complexity, translating dance music into live textures and their truly unique collaborative songwriting.
‘ART MAKE LOVE’ is a statement about the very life giving, love fuelling, interconnected nature of creativity, a reclamation of art in a digital time.
Unique to their catalog, this album was created with each member of the band taking full control of the recording and producing of their own instrument only to culminate in a unified sound, their synergy palpable as a singular force.
Over the years 30/70 has become something of a supergroup, with Allysha Joy, Ziggy Zeitgeist, Josh Kelly, Finn Rees and Matthew Hayes all soaring as solo artists, band leaders and producers in their own right. Each member of the band commands their sound and musicality effortlessly - a concept that is unique in 30/70 too - there is no one leader, they make space for each member to go deep on whatever it is they’re bringing to the table, creating space for the music and one another.
Read More: Bandcamp
Why Does The Earth Give Us People To Love
by Kara Jackson
Released 14 April 2023
Kara Jackson / September Recordings
*****
Why Does the Earth Give Us People to Love?, the debut album from musician and poet Kara Jackson, is a journey into grief, self-possession, and love—a dazzling and devastating examination of life’s unpredictability. Those weighty themes are paired with adventurous arrangements: “no fun/party” forgoes the standard verse-chorus-verse form for a more open-ended style; minor chords usher in each new section, and the hopeful country melody gives way to an elegiac bridge. The song explores the various emotions that accompany the search for love—an echo of the album’s One Big Question, which is why we undertake these searches at all. “Don’t be sorry for missing the party,” Jackson says near the song’s conclusion, “‘Cause somebody’s party is missing you, too.”
Read more... Bandcamp
Jarak Qaribak
by Dudu Tassa, Jonny Greenwood
Released 9 June 2023
Dudu Tassa, World Circuit Limited
*****
‘Jarak Qaribak’ is the collaboration between celebrated Israeli singer, musician and producer Dudu Tassa and award-winning composer and guitarist Jonny Greenwood (Radiohead, The Smile), produced by Tassa & Greenwood and mixed by Nigel Godrich, ‘Jarak Qaribak’ brings together vocalists and musicians from throughout the Middle East for a very special album of cross-border collaborations.
Tassa and Greenwood have known each other a long time and have collaborated before. Jonny, who is married into an Israeli family hailing originally from Iraq and Egypt, remembers hearing Dudu’s music twinkling amid the prevailing gloom of mid-noughties Israeli rock when Radiohead first visited.
“Jarak Qaribak” translates, more or less, as “Your Neighbour Is Your Friend”. It’s an expansive, inclusive sentiment. The songs on the album, and the singers, are drawn from all over the Middle East – and, in keeping with the theme established by the album’s title, each singer takes a turn at a tune from a country other than their own.
Read more... Jarak Qaribak
The Omnichord Real Book
by Meshell Ndegeocello
Released 16 June 2023
Blue Note
*****
Over the past 30 years, German-born American bassist and vocalist Meshell Ndegeocello has lent her unique blend of spacious melodies, rooted grooves and intricate fingerpicking to tracks by everyone from Madonna to Herbie Hancock and Robert Glasper. Across her own albums, Ndegeocello has been honing this sound to create soulful music that interpolates R&B and hip-hop as much as the virtuosity of jazz. Most recently she produced 2018’s Ventriloquism, which reinterpreted R&B tracks from the 80s. On her latest album Ndegeocello now looks forward, producing a futuristic, original soundscape of jaunty synthpop and electronic R&B.
As a whole, it’s a confident imagining of her infectious future funk sound.
Read more... The Guardian
GOLD
by Cleo Sol
Released 29 September 2023
Forever Loving Originals
*****
Cleo Sol has an excellent artistic strategy: make something great, release it, and then disappear back to her family, and – no doubt – the studio. Dipping in and dipping out when she feels ready, this sense of control pervades her work – whether it’s the intensity of Sault or the languid neo-soul of the songwriting released under her own name, every single detail is attended to.
‘Gold’ is her second album to be released in two weeks. While it’s a hopeless endeavour to compare and contrast unique artistic works, Clash endeavours to say the following: while ‘Heaven’ felt like a mood piece, ‘Gold’ is more defined, the music more sketched out, and with more evident strengths. Obviously everything Cleo Sol releases is excellent, it’s just that some projects are more excellent than others – in the Cleo Sol league table, this is challenging for a European spot.
‘Gold’ is a record that dares to be optimistic in an increasingly dark world. It’s soulful euphoria as a form of protest, a song cycle that revels in the quiet power of connection; in a catalogue replete with soaring highs, ‘Gold’ touches the clouds.
Read more... CLASH
My Way Back Was A Bridge For You To Cross
by Anohni, Antony and the Johnsons
Released 6 July 2023
Rebis Music / Rough Trade
*****
Anohni stepped away from her group the Johnsons to make 2016's Hopelessness, an album that honed the activism in her music to a sharp point with bladelike electronics and lyrics delivered with the frankness of someone at her breaking point. She brings some of that directness to My Back Was a Bridge for You to Cross, her first album with the Johnsons in over a decade. Emblazoned with a portrait of gay liberation activist -- and the band's namesake -- Marsha P. Johnson on its cover, the record draws on politically minded 1960s and '70s soul, an elegant strain of protest music that meets difficult times with beauty, dignity, and humility. It often feels like she's grappling with her emotions in real time (several songs are first takes), and this spontaneity underscores that the freedom gained by giving heartache a name is just as important as calling out injustice.
A powerful return, My Back Was a Bridge for You to Cross reaffirms that Anohni & the Johnsons' ability to confront the hardest issues and moments is as eloquent and relevant as ever.
Read more... AllMusic
Black Rainbows
by Corinne Bailey Rae
Released 15 September 2023
Black Rainbows Music / Thirty Tigers
*****
Anyone in the vicinity of a radio around 2006 heard “Put Your Records On,” Corinne Bailey Rae’s warm ode to feeling relaxed and fulfilled in the moment. Since then, the song has become a staple of easy listening channels and kindred playlists, even spinning off one viral cover. The commercial success of the song—alongside Rae’s self-titled debut, which stayed on the Billboard 200 for nearly a year and a half—helped solidify jazz, soul, and R&B as the foundation for her breezy pop. Seventeen years later, Rae has taken a sharp and surprising turn toward unabashed rock music with her scuzzy, guitar-powered new album, Black Rainbows. She’s not whispering but roaring.
As a 15-year-old in her home city of Leeds, Rae was in an upstart, all-girl rock group called Helen, drawing inspiration from women-led bands like L7, Belly, and Veruca Salt. The young ensemble garnered
attention from the alt-rock heavy hitter Roadrunner Records but the deal fell through, an industry heartbreak that nonetheless kept Rae pursuing music. For the first time in her solo catalog, Black Rainbows strikes directly at those formative tastes; Rae indulges the affections of her younger self without succumbing to cheap pastiche. With ferocious energy and clear-eyed confidence, it’s as though Rae is introducing herself all over again.
Read more... Pitchfork
The Returner
by Allison Russell
Released 8 September 2023
Birds of Chicago
*****
Since the release of her debut solo LP two years ago Outside Child, Russell’s often devastating, deeply moving, cathartic celebration of survivor’s joy has become one of the most acclaimed albums of the past 10 years.
Now comes the second chapter in her story, The Returner, a body-shaking, mind-expanding, soulful expression of liberation, love, and self-respect that serves as a fierce declaration of joy for all survivors that have made it to the other side. The album was written and co-produced by Allison along with dim star (her partner JT Nero and Drew Lindsay) and was recorded over Solstice week in December 2022 at Henson Recording Studios in Los Angeles, CA. It features Russell’s “Rainbow Coalition” band of all female musicians - along with special guest appearances from the legendary Wendy & Lisa, Brandi Carlile, Brandy Clark, and Hozier - who built The Returner from the bottom up with a rhythm-first, genre-fluid approach.
The improvisational energy of great female artists sparked the album’s fierce joy, and provided a wider canvas for Allison’s immense, unlimited talent. In all, the new album doesn’t just deliver on the promise of the last two years, it exceeds all reasonable (and unreasonable) expectations and affirms Allison Russell’s place among music’s most vital artists and The Returner, as one of 2023’s most essential recordings.
Read more... Bandcamp
Stings
by Kamaal Williams
Released 27 September 2023
Black Focus Records
*****
Informed by isolation, reflection, and profound spirituality, the third full-length album from South London keyboardist and producer Kamaal Williams (aka Henry Wu) is a cerebral instrumental journey through jazz, classical, dub, downtempo, bossa nova, and hip-hop styles. The front half features the record’s most immediate moments, peaking with the title track and its sweet flip of Soho’s 1995 track “Hot Music,” before diving into dreamy and downright beautiful classical arrangements on the back half. Tacked onto the album’s 10-track run as a digital bonus disc are Stings’ three early singles that includes the distinctive, menacing, vocal-laced “PKKNO.”
Read more... KEXP
Love In Exile
by Arooj Aftab, Vijay Iyer, Shahzad Ismaily
Released 24 March 2023
Verve
*****
Since 2015, Arooj Aftab has gradually distilled the essence of her work. On her debut album, Bird Under Water, the Pakistan-born, Brooklyn-based composer fused ghazal—a South Asian style focused on loss and love, both romantic and divine—with pop, jazz, and soul, finding the consonance between musical traditions from different corners of the world. On 2018’s ambient Siren Islands, she stripped away tradition, weaving her otherworldly voice between layers of synthesizer. By 2021’s Vulture Prince—her breakout record, an elegiac piece filigreed with voice, harp, and violin—she had learned to squeeze every drop of emotional resonance out of a single elongated syllable, or the vibrato of a gently pressed harp string.
Love in Exile—Aftab’s new album in collaboration with pianist and jazz composer Vijay Iyer and multi-instrumentalist Shahzad Ismaily—takes that process of distillation even further: coaxing an entire album’s worth of pathos out of a handful of Urdu couplets, crafting complex emotional inner worlds through the ritualistic repetition of just a few lines of poetry. In Ismaily and Iyer, she has found the perfect partners. All three draw from a shared vocabulary that is subtle, intricate, and minimalist, yet incredibly expressive.
Read more... Pitchfork
The Ones Ahead
by Beverley Glenn-Copeland
Released 28 July 2023
Transgressive Records
*****
Though Beverly Glenn-Copeland is now a Polaris Prize winner whose wondrous music has garnered a group of dedicated fans, his early compositions, like 1986’s superb New Age experiment Keyboard Fantasies, weren’t originally heard by the masses. It’s only recently that the Canadian composer has become part of the mainstream consciousness; his resonant voice, forward-looking lyrics, and blissful instrumentals capturing a new generation of listeners and crate diggers in the past decade. But much of this conversation has surrounded albums he released years ago.
With The Ones Ahead, Glenn-Copeland shares all-new music for the first time in almost 20 years, offering the clearest thesis of his vision yet: that the future is out there for us, and we can capture it in a song.
Read SunNeverSetsOnMusic's December 2021 review of Glenn-Copeland's album Keyboard Fantasies here
Read more... The Guardian
Le Cri du Caire
by Le Cri du Caire, Abdullah Miniawy, Peter Corser
27 January 2023
Les Disque du Festival Permanent / Airfono / L'Onde & Cybele
*****
Cairo, late 2013. In a city in turmoil, where the curfew had just been lifted after a second coup d'état, where the walls were still covered in dreams and revolt, where even the clubs of the city-centre echoed with anti-Islamist and anti-army slogans, I was deeply touched by the voice of Abdullah Miniawy at the 100Copies music studio, a stone's throw from Tahrir Square. A singer, writer, poet, poetry-slammer and student from the El-Fayoum oasis, this spokesman for Egyptian youth was shaking up the music scene and social networks with his hypnotic voice and unique blend of electro, sufism and jazz music, both punk and psychedelic, secular and avant-garde. Three months later, Abdullah's first on-stage revelations took place at the La Voix est Libre festival in Cairo with the "Jimi Hendrix of oud", Mehdi Haddab, followed by his first meeting with composer and saxophonist Peter Corser at the D-CAF festival (Downtown Contemporary Art Festival), created in the aftermath of the revolution by leading figure in theater Ahmed El-Attar. After three years of administrative battles, while censorship was making a comeback in Egyptian artistic circles, Abdullah finally arrived in Paris where he recorded an initial version of Purple Feathers with Peter Corser, which was broadcast on Soundcloud.
In 2017, gripped from the very first seconds by these soaring vocal and instrumental performances, Erik Truffaz accepted our invitation to become involved with Peter's hypnotic loops and Abdullah's electric vocals, and was soon joined by the visceral strings of cellist Karsten Hochapfel.
Five years later, Le Cri du Caire is still turning heads, and often moving audiences to tears. Both free and spiritual, sensitive and elusive, their music elevates the soul to giddy heights and flies towards what may well be one of the shortest paths from zero to infinity.
Read more... Bandcamp
٣ (Trois)
by Acid Arab
Released 3 February 2023
Crammed Dice / Shelter Studio
*****
Based in Paris, Acid Arab is a brilliant Franco-Algerian electronic / dance music collective.
The ten tracks on this eagerly-awaited record are serious dancefloor bangers, and will also be providing delightful private listening experiences, thanks to their sophisticated production and to the intriguing, diverse performances by eight guest vocalists: Sofiane Saidi (Algeria), Cem Yldiz (Turkiye), Wael Alkak (Syria), Cheb Halim (Algeria), Ghizlane Melih (Morocco), Fella Soltana, (Algeria), Khnafer Lazhar, Rachid Taha (Algeria).
Incorporating Algerian gasba, Anatolian trance, synthetic dabkeh, bionic raï, Acid Arab have incorporated and invented a spectrum of styles, breaking boundaries between genres. After spending close to ten years exploring diverse types of music through their numerous collaborations and their constant travels all around the Mediterranean and beyond, Acid Arab keep pushing the envelope and expanding their musical territories.
“We’re careful not to repeat a identical formula from album to album” says the band. “It’s the actual working relationship with the guest artists which drives us to expand the concept.”
This is cutting edge music - sampling and experimenting with the excitement and energy of the music heard in the medinas, souks, taxis and wedding parties of the Arabic speaking hemisphere and bringing it to global attention.
Long live Acid Arab.