2025 February Best Albums
clicking cover art opens Spotify
New Dawn
MARSHALL ALLEN
Released 14 February 2025
*****
“... the best thing ever, is the fact that Marshall Allen is about to release, at the age of 100, his debut album under his own name. There is no greater feat of durability, working at your craft, and putting your ego to the back of the room while you're supporting other artists and performers.” – Gilles Peterson
Two days after his 100th birthday, Marshall Allen started recording New Dawn, his debut solo album. A member of Sun Ra’s Arkestra since 1958, Allen assumed leadership of the band in 1995. Throughout his nearly seventy-year career, Allen has never released a solo album under his own name, and yet, instead of capping such a legendary output, New Dawn seems to herald a new beginning. A love letter to spacetime, it channels a century of musical intelligence into seven tracks, showing Allen at his most protean — freely moving from relaxed, transdimensional palettes to bluesy big band and beyond.
One of music’s vanguard avant-saxophonists, Allen continues to deliver durational feats during the Arkestra’s gigs. Still, the compositional energy contained on New Dawn is striking. Allen was approached with the idea of a solo record by Week-End Records’ Jan Lankisch. The Arkestra’s Knoel Scott — who has lived with Allen at the Arkestral Institute of Sun Ra since the 1980s — worked with Allen to pore over the archive of unrecorded material and develop this debut. Scott assembled some of Philadelphia’s brightest jazz stars as well as some Arkestra veterans for the sessions. New Dawn was then recorded over a couple of days in Philadelphia, with additional recordings added in the following weeks and months.
The title track “New Dawn” is the centerpiece of this impressive album and the arranger Knoel Scott wrote the lyrics himself. We are thrilled to have the incomparable Neneh Cherry, stepdaughter of legendary jazz musician Don Cherry, lend her unmistakable voice to this song.
Though greatly informed by the philosophy of Sun Ra and his Saturnian teachings — traverse jazz’s traditions, dig deep into spiritual geographies — New Dawn signals Allen as his own singular voice, one that’s swinging and bopping and reflecting into the future, with no sign of stopping. Week-End Records is proud to release this debut solo album by Marshall Allen.
Read more ... Bandcamp
Hurry Up Tomorrow.
THE WEEKND
Released 31 January 2025
****-
Closing out an artistic era for album, an album that has drawn a spectrum of critical responses, reflecting its ambitious scope and thematic depth.
Serving as the concluding chapter of a trilogy that began with "After Hours" (2020) and "Dawn FM" (2022), the album delves into themes of fame, personal turmoil, and artistic evolution.
Several critics commend the album's expansive production and cohesive narrative.
The Independent lauds it as The Weeknd's "most ambitious project," likening its seamless transitions and rich blend of electronic and R&B influences to a "feature-length film."
Clash echoes this sentiment, describing the album as a "sonic supernova" that consolidates various facets of The Weeknd's artistry into a cohesive and emotionally resonant experience.
NME highlights the introspective lyrics and genre-spanning production, noting its exploration of fame, pain, and transformation.
However, some reviews point to areas of concern. The Guardian acknowledges the album's captivating sound but criticizes its "shallow, self-pitying lyrics" and overtly theatrical tone, suggesting a lack of depth in its narrative.
The Times offers a more critical perspective, describing the album as "strangely suppressed and anaesthetised," with an 84-minute runtime that feels "stretched" and lacking in emotional impact.
Similarly, Stereogum notes that while the album is ambitious, its length and repetitive themes may detract from its overall effectiveness.
In summary, "Hurry Up Tomorrow" stands as a bold and expansive project that encapsulates The Weeknd's artistic journey. While its production and thematic ambition are widely praised, opinions diverge regarding its lyrical depth and cohesiveness. The album serves as a fitting, albeit polarizing, conclusion to an era, reflecting both the strengths and complexities of The Weeknd's musical evolution.
Read more ... Pitchfork
Apple Cores
JAMES BRANDON LEWIS
Released 7 February 2025
*****
The album's improvisational energy, genre-blending compositions, and homage to jazz luminaries mark it as a noteworthy contribution to contemporary jazz discourse.
James Brandon Lewis has always been a saxophonist who refuses to color inside the lines, and Apple Cores is no exception. This isn’t just a jazz record- it’s a sonic manifesto, a bold fusion of the past and the future, steeped in the spirits of Amiri Baraka, Don Cherry, and Ornette Coleman. With Chad Taylor on drums and Josh Werner handling bass and guitar duties, Lewis crafts a record that is equal parts homage and exploration, a testament to the ever-evolving language of jazz.
From the first note, Apple Cores pulses with restless energy. The trio’s chemistry is undeniable - Taylor’s drumming is muscular and urgent, recalling the fire of Ronald Shannon Jackson, while Werner’s basslines slither and morph beneath Lewis’s searching, often ecstatic saxophone. Tracks like “Remember Brooklyn & Moki” exude an overcast Afrobeat sensibility, while “D.C. Got Pocket” swerves from Zamrock fuzz into full-throttle free jazz.
The album doesn’t just reference history; it bends it (and might even make it, as it reveals itself with repeated listening). Lewis seamlessly weaves hip-hop rhythms and dub-like textures into his playing, creating a sound that feels both deeply rooted and utterly unbound. While some moments lean into chaos, there’s a method to the madness- the album moves like a storm on a fixed trajectory, deliberate even in its wildest moments.
What makes Apple Cores so gripping is its sense of momentum. Every track feels like a living, breathing entity, refusing to settle, constantly pushing forward. It’s an album that demands repeat listens, not because it’s difficult, but because its layers reveal themselves gradually. This is James Brandon Lewis at his most vital—fearless, unfiltered, and utterly compelling.
Read more... TheQuietus, Marlbank ,Glide, New Noise, Tinnitist, Aquarium Drunkard, AllMusic, James Brandon Lewis
Like A Ribbon
JOHN GLACIER
Released 14 February 2025
*****
John Glacier's "Like a Ribbon" is a bold statement from an artist unafraid to traverse the boundaries of genre and convention. Her unique fusion of hip-hop, electronic, and alternative R&B, combined with a compellingly enigmatic presence, positions her as a formidable force in contemporary music.
Emerging from Hackney’s creative underground, John Glacier is an artist who thrives in ambiguity. Her music exists in a liminal space between rap, poetry, and electronic dream states, unfolding like fragments of late-night thoughts scrawled onto city walls. Like a Ribbon, her latest project, isn’t just an album—it’s an experience: atmospheric, introspective, and impossible to pin down.
Clocking in at a concise 30 minutes, Like a Ribbon is both cryptic and deeply immersive. Glacier’s hushed, deadpan delivery floats over a tapestry of beats sculpted by Flume, Evilgiane, and Kwes Darko, among others. The production veers between hypnotic electronica and lo-fi piano loops, giving the album an intimate, almost demo-like quality. Yet, every track feels meticulously placed, like loose threads woven into an intricate design.
Glacier’s lyricism is as elusive as her public persona. She glides between observations of parties, fleeting relationships, and moments of quiet solitude, always peering just beyond the frame. There’s a push-and-pull between the urban and the organic, as if the album itself exists in the tension between steel and sky. It’s this fluidity—the sense of a ribbon unfurling—that makes the record so compelling.
While its brevity leaves some ideas unexplored, Like a Ribbon is a hypnotic document of an artist in full command of her own mystique. It doesn’t demand attention so much as it beckons you into its world, rewarding those willing to lean in. John Glacier remains an enigma, but with Like a Ribbon, she’s crafted something undeniably magnetic.
Read more... The Guardian, The Quietus,
The New Orleans Collection
JON BATISTE
Released 5 February 2025
*****
In The New Orleans Collection, Jon Batiste not only pays tribute to his heritage but also propels it forward, inviting a new generation to experience the magic of the Crescent City. It's a celebration, an education, and above all, a celebration of the enduring power of music to unite and inspire.
One of the highest profile musicians as band leader for the Tonight Show with Stephen Colbert, Jon Batiste's recent run of albums in the past few years includes the classically oriented "Beethoven Blues" (2023), a couple of movie scores "Saturday Night" (2024) and "Soul" (2020) and two collections of original compositions "We Are" (2021) and "World Music Radio" (2023).
His latest offering, The New Orleans Collection, is a vibrant homage to his roots, seamlessly blending the rich musical traditions of his hometown with contemporary flair. This album encapsulates the essence of New Orleans, weaving together jazz, soul, funk, and gospel into a cohesive and exhilarating tapestry.
From the outset, Batiste's mastery is evident. The opening track bursts forth with the lively energy of a second-line parade, brass instruments and rhythmic percussion inviting listeners to join the celebration. Batiste's piano prowess shines throughout, his fingers dancing across the keys with a joyful exuberance that is both infectious and technically impressive.
Collaborations abound, featuring local legends and contemporary artists alike. Tracks like "Crescent City Serenade" showcase soulful vocals layered over lush arrangements, while "Bayou Boogie" infuses funk grooves with a modern twist, creating a sound that is both nostalgic and fresh. The inclusion of traditional Mardi Gras Indian chants and brass band interludes further roots the album in its cultural heritage.
Favourable critics have lauded The New Orleans Collection for its authenticity and innovation, describing the album as a love letter to his city, capturing its spirit with a contemporary lens as it bridges the past and present and that it is as educational as it is entertaining."
However, others felt that certain tracks leaned too heavily on tradition, longing for more experimental departures and a deeper exploration of the city's diverse musical subcultures.
But Batiste is foremost an entertainer and - at least at this stage in his career - less a groundbreaker, so these points are minor in the grand scope of the album's achievements.
Read more ... Bandcamp
Lay Low
EDDIE CHACON
Released 31 January 2025
*****
Lay Low is a new milestone in Eddie Chacon's evolution as an artist. His ability to distill complex emotions into minimalist arrangements speaks to his maturity and the wisdom that comes with experience. The album invites listeners to reflect, find solace in simplicity, and embrace the journey of self-discovery.
Eddie Chacon, once half of the '90s soul duo Charles & Eddie, has embarked on a remarkable solo journey, culminating in his latest album, Lay Low, a collection that delves into themes of love, loss, and existential reflection, all while embracing the clarity that comes with age. This follows his impressive "Sundown" (2023).
Collaborating with producers Nick Hakim and John Carroll Kirby, Chacon crafts a minimalist yet profound soundscape. The album opens with "Good Sun," a tender homage to his late mother, where Chacon's soft vocals intertwine with gentle melodies, evoking a sense of bittersweet nostalgia. The title track, "Lay Low," offers a serene acceptance of life's unpredictability, with Chacon musing, "Maybe that's the way it's supposed to be." This introspection is complemented by the album's sparse instrumentation, allowing his voice to take center stage.
Kirby's influence shines on "Empire," the album's most upbeat track, featuring a glistening tempo and groove that provide a refreshing uplift. In contrast, Hakim's touch is evident on "Birds," a moodier piece enveloped in textured synths, where Chacon's vocals float amidst a digital fog, reminiscent of a soulful Bon Iver. This balance between light and shadow showcases Chacon's versatility and the seamless integration of both producers' styles.
Tracks like "Let the Devil In" and "End of the World" delve into apocalyptic themes, with Chacon adopting a preacher-like cadence, exploring the world's chaotic state. Despite the heavy subject matter, there's a surprising sense of peace, as if Chacon has made peace with the world's turmoil.
Read more ... Pitchfork
Beautiful Woman
SARAH KLANG
Released 7 February 2025
Pangur Records / Nettwerk Music Group
****-
Intertwining '90s jangle-pop and Americana for an introspective journey that challenges societal norms and celebrates authentic self-discovery.
Sarah Klang, born in 1992 in Gothenburg, Sweden, is a singer-songwriter renowned for her emotive voice and candid songwriting. Her music blends Americana, indie folk, and '90s jangle-pop, reflecting personal themes of love, self-acceptance, and womanhood.
Collaborating with American producer Eric D. Johnson, known for his work with Bonny Light Horseman and Fruit Bats, Klang crafts a sound that seamlessly blends folksy Americana with '90s jangle-pop influences.
The album opens with the memorable title track, "Beautiful Woman," where Klang reflects on youthful aspirations and societal expectations. Her poignant lyrics, "When I grow up, I want to be a beautiful woman," encapsulate the longing for acceptance and self-love.
"Go to the Sun," a standout single, delves into themes of trauma and escapism. The production features soft electric guitar melodies, creating a soothing backdrop to Klang's candid storytelling. She sings, "If I'm sad at home, I'll be sad in LA," highlighting the inescapability of internal struggles despite changing external environments.
Throughout the album, Klang addresses personal experiences with body image, motherhood, and the journey toward self-acceptance. In "Other Girls," she confronts societal pressures, singing, "Nothing tastes as good as feeling skinny, I was told when I was young," a poignant critique of unrealistic beauty standards.
The closing track, "I Have Everything," serves as an anthem of resilience and gratitude. Klang's emotive delivery conveys a complex blend of hope and melancholy, leaving listeners with a profound sense of introspection.
Read more ... Bandcamp
SAYA
SAYA GRAY
Released 21 February 2025
****-
Showing evolution as an artist, blending diverse musical influences to create a cohesive and emotionally charged album. While some experimental choices may not resonate with all listeners, Gray's innovative approach gives her ample avenues for growth.
Saya Gray is a Japanese-Canadian musician born in 1995 in Toronto who has established herself as a multifaceted artist, seamlessly blending genres to create a distinctive sound. Her musical journey commenced in Toronto, performing in a house band for a Jamaican Pentecostal church.
Over the years, she has collaborated with artists including Daniel Caesar and Willow Smith, primarily as a bassist and released her debut album, "19 Masters" (2022) followed by the EPs "QWERTY" (2023) and "QWERTY II" (2024).
Spotify credits Lucien Gray as producer but media is otherwise silent on the relationship."SAYA" has garnered attention for its innovative fusion of genres, including alt-rock, off-kilter pop, and R&B, as Gray delves into the complexities of a relationship's end. Pitchfork highlights the album's exploration of heartbreak through vibrant and seemingly boundless music, suggesting that Gray aims to challenge the limitations of her own potential.
The Guardian commends Gray's ability to merge various genres, such as yacht rock, country, and AOR, resulting in distinctive tunes that avoid the pitfalls of many genre-blended tracks. However, some experimental elements are noted to feel clichéd, especially when aligning too closely with mainstream pop trends. Despite this, the album is praised for showcasing Gray's potential as a unique and original artist in the music industry.
Stereogum describes "SAYA" as immediate and intuitive, likening it to a series of dispatches delivered straight from the throes of heartache. This portrayal underscores the album's raw emotional resonance and Gray's ability to convey profound personal experiences through her music.
Read more ... Pitchfork
Armageddon
In A Summer Dress
SUNNY WAR
Released 21 February 2025
****-
Fusing folk-punk grit with haunting narratives and crafting an album that's as introspective as it is rebellious.
Sunny War's music is characterized by introspective lyrics and a unique fingerpicking guitar style, influenced by her early exposure to various musical genres and her experiences living in California.
Born Sydney Ward in Nashville, Tennessee in 1995, War's distinctive blend of folk, punk, and blues call upon an unconventional upbringing and personal battles have deeply informed her artistry - all leading to critical acclaim and a growing following.
Armageddon in a Summer Dress is Sunny War's latest exploration into the depths of human experience, blending her signature folk-punk sound with raw storytelling. The album delves into themes of personal struggle, societal issues, and resilience, reflecting War's journey through adversity.
The opening track, "Ghosts," draws inspiration from War's harrowing experiences with hallucinations caused by severe gas leaks in her family home. This haunting song sets the tone for the album, intertwining personal trauma with ethereal melodies.
War's intricate fingerpicking guitar style and soulful vocals create a compelling sonic landscape throughout the album.
The production maintains an organic feel, allowing War's authentic voice to shine through.Armageddon in a Summer Dress has been recognized among the best albums of 2025, showcasing War's growth as an artist and her commitment to addressing complex themes through her music.
Read more ... Bandcamp
La Boa Meets Tony Allen
TONY ALLEN, LA BOA
Released 7 February 2025
*****
"La BOA Meets Tony Allen" serves as a fitting tribute to Allen's legacy, all the while showcasing La BOA's commitment to evolving Afrobeat. It's an album that invites listeners to experience the confluence of African and Latin American musical traditions, all while honoring the indelible mark left by a legendary drummer.
Tony Allen, born in Lagos, Nigeria, in 1940, was a self-taught drummer who began his musical journey at 18 while working as a radio technician. His rhythmic innovations alongside Fela Kuti in Africa '70 during the late 1960s and 1970s were instrumental in birthing the Afrobeat genre. Brian Eno once lauded him as "perhaps the greatest drummer who has ever lived." Allen's career spanned collaborations with artists like Damon Albarn and Jimi Tenor, continually pushing musical boundaries until his passing in 2020.
La BOA, short for La Bogotá Orquesta Afrobeat, is a Colombian ensemble dedicated to exploring and expanding the Afrobeat tradition. Their vibrant fusion of Afrobeat with Latin American rhythms has positioned them as torchbearers of the genre in South America.
The album "La BOA Meets Tony Allen" is a posthumous collaboration that began as a tribute to Allen. The project evolved into a profound musical dialogue, with Allen's distinctive drumming seamlessly intertwining with La BOA's dynamic arrangements. The track "Tony's Way" exemplifies this synergy, blending Allen's intricate rhythms with the band's rich horn sections, creating a sound both rooted in tradition and refreshingly contemporary.
Critics have praised the album for its authentic yet innovative approach to Afrobeat. The fusion of Allen's pioneering rhythms with La BOA's Latin influences results in tracks that are both danceable and introspective. While some purists might argue that the album leans heavily on its Afrobeat foundations, the consensus is that it successfully bridges cultural and musical gaps, offering a fresh perspective on the genre.
Read more... Bandcamp
Hashish Hits
ALI OMAR
Released 7 February 2025
****-
This arrestingly titled compilation not only serves as a testament to the late artist's vision but also offers listeners a nostalgic journey through a transformative era in electronic music.
Ali Omar, a British-born producer and MC, made significant contributions to Sydney's underground dance music scene between 1998 and 2004. Born in Liverpool as one of ten siblings, Omar's early life was steeped in music, influenced by his sister, Beryl Marsden, a notable figure in the Merseybeat era who supported The Beatles on their final UK tour.
Omar's artistic journey led him from Liverpool to Manchester during the vibrant '80s and '90s music scene, and eventually to Sydney, where he became a staple in the city's dub, jungle, and bass clubs. Collaborating with fellow Brit Andy Fitzgerald, he formed a duo that left an indelible mark on Australia's electronic music landscape. Omar's life was cut short in 2009 due to cancer, but his musical legacy continues to resonate. Released posthumously"Hashish Hits" is a curated collection of Omar's work from his Sydney years.
The album encapsulates his unique fusion of acid jazz, dub, and trip-hop, reflecting the eclectic influences that shaped his sound. Tracks like "Hashish" and "For Love's Sake" showcase a laid-back electro-dub-house vibe, reminiscent of the late '90s and early 2000s era. "The Last Straw" and "Suicide Bomber" delve into deeper, more introspective territories, drawing parallels to the works of Muslimgauze, while "Nu Stone Groove" and "Roll Up" infuse elements of deep house and acid dub, highlighting Omar's versatility and innovative spirit.
Boomkat praised the album's authentic representation of a pivotal period in Sydney's dance music history, calling it a "superb summary of late '90s/early '00s acid jazz-inflected dub and trip-hop soul spirits," drawing favorable comparisons to artists like Paul St. Hilaire, DJ Krush, and Bobby Konders.
Read more ... Bandcamp
Live at Union Station (EP)
SAM GENDEL
Released 21 February 2025
****-
"Live at Union Station" transforms a transit hub into a jazz sanctuary, where saxophone serenades and synth whispers redefine the boundaries of live performance.
personal experiences through her music.
Sam Gendel is a Los Angeles-based avant-garde saxophonist and producer who has built his respected reputation by blending psychedelic jazz with experimental pop. His collaborations span artists from Ry Cooder and Blake Mills to Moses Sumney. Gendel's innovative approach challenges traditional jazz boundaries, is unique and genre-defying.
"Live at Union Station," recorded May 2019, showcases Gendel's inventive artistry in a solo performance within Los Angeles' historic Union Station. Utilizing an alto saxophone equipped with an early iteration of his poly-sax effect and a Suzuki Waraku III synthesizer, Gendel crafts an immersive auditory experience that transcends conventional jazz norms.
The EP opens with "Tape_Tiger_01," an eight-minute exploration of ambient textures and looping saxophone motifs, setting a contemplative tone. "Cosmic Love" intertwines melodic sax lines with subtle synth layers, creating a celestial atmosphere. Notably, at 4:27, the station's train announcer recites a passage from George Carlin's "When Will Jesus Bring The Pork Chops?", adding an unexpected narrative layer to the performance.
"Miss U Sonny," dedicated to the late Sonny Abegaze, exudes a poignant melancholy, with Gendel's emotive saxophone evoking a deep sense of loss and remembrance. "Plod" and "Saiko" delve into rhythmic experimentation, blending percussive sax techniques with electronic textures, reflecting Gendel's penchant for genre fusion. The rendition of "Satin Doll" pays homage to the jazz standard while infusing it with modern electronic elements, exemplifying Gendel's ability to honor tradition while pushing boundaries.
The ambient sounds of Union Station, including distant announcements and subtle echoes, serve as an organic backdrop, enriching the recording's authenticity. This EP not only captures Gendel's technical prowess but also his innovative spirit, offering listeners a transcendent journey through sound and space.
Read more ... Pitchfork
Dream Trio
SAM GENDEL,
BENNY BOCK, HANS P. KJORSTAD
Released 1 November 2024
****-
Reimagining jazz with wind controller, udo synthesizer and violin, crafting soundscapes where tradition meets innovation.
Sam Gendel, Benny Bock, and Hans P. Kjorstad converge as the "Dream Trio," blending their distinct musical backgrounds into a cohesive experimental jazz ensemble. Gendel, a Los Angeles-based saxophonist and wind controller specialist, is celebrated for his avant-garde approach to jazz. Bock, hailing from Oakland, California, is a versatile keyboardist, composer, producer, and sound designer. Kjorstad, from Norway, is a violinist and composer deeply rooted in contemporary microtonal music and Norwegian traditional music. Their collaboration was sparked by a shared desire to explore uncharted musical territories.
Recorded in Japan, the album features Gendel on wind controller and soprano saxophone, Bock on udo synthesizer, and Kjorstad on violin. This unconventional instrumentation crafts a soundscape that defies traditional jazz boundaries.
The opening track, "Angel's Egg," introduces listeners to an ethereal blend of ambient textures and melodic interplay, setting the tone for the album's exploratory nature. "Legend of the Ohmu" follows, weaving intricate violin lines with atmospheric synth layers, creating a cinematic experience. "FallsLake," the lead single, stands out with its hypnotic rhythms and seamless fusion of electronic and acoustic elements, embodying the trio's cohesive experimentation.
The centerpiece, "Ten Dreams," is a 12-minute odyssey through evolving motifs and dynamic shifts, showcasing the trio's improvisational prowess. Tracks like "I See Signs Everywhere" and "India" delve into world music influences, blending traditional melodies with modern electronic soundscapes. "Charango" offers a minimalist approach, highlighting the trio's ability to create depth with sparse arrangements. The album concludes with "Everything Happens To Me," a reinterpretation of the jazz standard, infused with the trio's signature experimental touch.
Read more... Bandcamp
Hardy Boys
SAM GENDEL, EMILE MOSSERI
Released 19 July 2024
****-
"Hardy Boys" unravels a sonic mystery where jazz improvisation meets cinematic ambiance, leading listeners through an enigmatic auditory adventure.
Sam Gendel, an avant-garde saxophonist and producer from Los Angeles, is celebrated for his innovative fusion of psychedelic jazz and experimental pop.
Emile Mosseri, a singer, songwriter, and composer, has garnered acclaim for his emotionally resonant film scores, notably earning an Academy Award nomination for "Minari" in 2021. His collaborative ventures include work with Angel Olsen, Kaitlyn Aurelia Smith, and The Dig.
The convergence of Gendel's experimental jazz sensibilities with Mosseri's cinematic composition style led to their joint project, culminating in the album "Hardy Boys" - a set that defies traditional genre classifications. The 14-track album showcases a seamless blend of ambient textures, jazz improvisation, and minimalist compositions.
The opening track, "Pencil," sets an introspective tone with its sparse instrumentation and ethereal melodies, inviting listeners into the album's contemplative soundscape.
"The Secret of the Old Mill" stands out as a centerpiece, featuring intricate interplay between Gendel's saxophone and Mosseri's piano, creating a dialogue that is both exploratory and cohesive.
Tracks like "Teeth" and "Moonhelmet" delve into more abstract territories, utilizing dissonant harmonies and unconventional structures to challenge the listener's expectations. "Penelope 2" offers a moment of melodic respite, its gentle motifs evoking a sense of nostalgia and introspection. The album concludes with "Get Home Safe," a track that encapsulates the project's experimental ethos through its fusion of ambient soundscapes and jazz improvisation.
Read more ... Bandcamp
Earth Flower
SAM GENDEL,
PHIL MALANSON, RUTH GARBUS
Released 1019
Re-released 15 March 2024
****-
Earth Flower's debut blooms with avant-jazz petals and electropop roots, crafting a sonic garden where Garbus' vocals flourish amidst Gendel and Melanson's innovative landscapes.
Earth Flower is a collaborative project uniting Brattleboro, Vermont-based singer-songwriter Ruth Garbus, avant-garde saxophonist Sam Gendel, and Canadian percussionist Philippe Melanson.
Philippe Melanson is known for his versatility and innovative approach to rhythm. He has been a core member of the Toronto-based indie pop band Bernice, contributing to their experimental jazz-pop sound.
Garbus has established herself as a distinctive voice in the indie music scene, first with the experimental folk collective Feathers and later co-founding Happy Birthday, a band that blended indie rock with pop sensibilities and as a solo artist, Garbus has released several albums and EPs. Her music is characterized by intricate guitar work, unconventional song structures, and poetic lyrics that explore themes of nature, existence, and human emotion.
Their partnership emerged from a shared desire to explore experimental jazz-pop landscapes, blending Garbus' evocative lyrical imagery with Gendel and Melanson's unique instrumental textures.
Originally, released in 2019, Earth Flower offers a cozy collection of experimental jazz-pop tunes. The trio's synergy is evident throughout the album, with Garbus' vocals gliding over Gendel and Melanson's innovative soundscapes.
The track "Paradise" stands out, luxuriating in neo-New Age textures and messaging.
The album's electropop elements, combined with surprising percussive components, create a unique sound that resonates with listeners.
Read more ... Bandcamp
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Solstice Concert (Live)
FABIO DO NASCIMENTO
Released 7 February 2025
****-
The sunlit fusion of Brazilian tradition and modern improvisation: a transcendent journey where rhythms dance and melodies soar.
Fabiano do Nascimento, born in 1983 in Rio de Janeiro, Brazil, is a guitarist, composer, arranger, and producer known for his intricate multi-string performances. Currently based in Los Angeles and Japan, he blends traditional Brazilian music with elements of jazz, experimental, and electronic genres.
His music reflects a deep connection to his Brazilian heritage, drawing from Afro-Samba, folkloric traditions, and Choro.
Album Review:
Solstice Concert (Live) captures a unique performance by Fabiano do Nascimento and his ensemble on June 21, 2023, in Northeast Los Angeles. Initially intended as a one-night-only event, the concert was recorded unbeknownst to the performers and audience, resulting in an authentic and spontaneous live album.
The ensemble features Sam Gendel on soprano and MIDI saxophones, Gabe Noel on electric bass, and Tamir Barzilay on drums, percussion, and electronic drums.
The opening track, "Feijoada," sets the tone with its intricate guitar melodies and rhythmic interplay. Gendel's saxophone adds a textural layer, weaving through Nascimento's guitar lines, while Noel's bass provides a solid harmonic foundation. Barzilay's drumming, both acoustic and electronic, injects a dynamic energy that propels the composition forward.
The live setting contributes to the album's organic feel, capturing the spontaneity and interaction among the performers. Tracks like "Nene's Song" showcase the ensemble's ability to blend traditional Brazilian motifs with contemporary improvisational elements, creating a sound that is both rooted and forward-thinking.
Read more ... Bandcamp
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Moon Garden (EP)
ROEDELIUS, ONNEN BOCK,
YUKO MATSUZAKI
Released 5 February 2025
Roedelius, Onnen Bock, Yuko Matzusaki
****-
Electronic innovation blossoms alongside traditional melodies, inviting listeners into a serene auditory oasis.
Hans-Joachim Roedelius, born in 1934 in Berlin, Germany, is a pioneering electronic musician renowned for his contributions to experimental, krautrock, and ambient music. As a founding member of influential groups Cluster and Harmonia, Roedelius has helped shape the landscape of electronic music since the 1970s.
Onnen Bock, born in 1973 in Berlin, Germany, is an audio engineer and musician known for his work with the Berlin Philharmonic Orchestra and various theater productions. In recent years, he has collaborated with Roedelius as part of the unit Qluster, blending classical sensibilities with experimental electronic music.
Yuko Matsuzaki is a Japanese flutist and composer recognized for her unique fusion of traditional Japanese music with contemporary ambient and electronic styles. She gained attention for her rare 1980s new age/ambient album "Raden no Hako" and has continued to explore innovative soundscapes in her work.
Their collaboration on the "Moon Garden" EP stems from a longstanding artistic relationship among the trio. In the early 2000s, Matsuzaki arranged and edited musical data from Roedelius and Bock, adding new compositions and mixing them, culminating in the final release in 2020. This project merges modern technology, live performance, and Matsuzaki's evocative vocals, resulting in a borderless soundscape that deepens the soft electronic sounds and oriental landscapes expressed in Roedelius's mid-period works.
Throughout the EP, Roedelius's pioneering electronic textures intertwine with Bock's refined audio engineering and Matsuzaki's traditional Japanese musical influences, resulting in a rich tapestry of sound. The compositions invite listeners into a meditative space, where intricate melodies and ambient layers evoke a sense of tranquility and introspection.
Read more ... Bandcamp
Anglayang
GAMALAN DANANDA, FIRETAIL
Released 11 February 2025
****-
Anglayang harmoniously melds Balinese gamelan's shimmering rhythms with electro-jazz's innovative flair, crafting a transcendent fusion that dances between tradition and modernity.
Gamelan DanAnda is a Melbourne-based Balinese gamelan orchestra specializing in the traditional Gong Kebyar style, characterized by shimmering cascades of metallic sound, virtuosic rhythms, and breathtaking crescendos. The ensemble comprises community members aged four to over seventy, including Balinese musicians, local professionals, and enthusiasts without prior musical experience. They perform regularly at community gatherings and major festivals, reflecting their commitment to cultural exchange and musical diversity.
Anglayang is a collaborative album between Gamelan DanAnda and Melbourne-based electro-jazz fusion group Firetail, that fuses modern Western jazz with traditional Balinese gamelan, creating a sound greater than the sum of its parts.
The opening track, "Anglayang," introduces listeners to a mesmerizing blend of intricate gamelan rhythms and contemporary jazz elements. Firetail's electronic textures and improvisational flair intertwine seamlessly with Gamelan DanAnda's percussive layers, resulting in an enchanting auditory experience.
Throughout the album, tracks like "Kebyar Fusion" and "Bali Blues" showcase the ensemble's ability to navigate complex polyrhythms while maintaining a cohesive and engaging sound. The interplay between traditional instruments such as metallophones, gongs, and kendang (drums) with modern synthesizers and saxophones highlights the innovative nature of this collaboration.
The production quality is exceptional, capturing the nuances of each instrument and the dynamic range of the performances. The album not only pays homage to Balinese musical traditions but also pushes the boundaries by incorporating contemporary jazz and electronic influences.
Read more ... Bandcamp
Gifts
MAKIKO HIRABAYASHI & WEAVERS
Released 24 January 2025
****-
Baroque threads are woven into jazz tapestries, crafting an album where tradition meets innovation in harmonious dialogue.
Makiko Hirabayashi is a Japanese pianist and composer based in Copenhagen since 1990. Her music blends jazz, classical, Far Eastern, and Nordic influences. Her quartet, Weavers, features Fredrik Lundin (saxophones), Thommy Andersson (bass), and Bjørn Heebøll (drums). They received critical acclaim for their innovative sound, winning the Danish Music Award for Jazz Album of the Year in 2021.
Gifts is Hirabayashi's tenth studio album and her second with the Weavers quartet. The album showcases a sophisticated fusion of jazz improvisation, classical motifs, and Japanese musical elements, reflecting Hirabayashi's diverse influences.
The opening track, "Weightless," exemplifies this blend by reimagining themes from Handel's "Ombra mai fù," infusing Baroque elegance with contemporary jazz rhythms.
Throughout the album, Lundin's saxophones provide both melodic depth and textural contrast, seamlessly interacting with Hirabayashi's expressive piano lines.
Andersson's bass and Heebøll's drums lay a dynamic foundation, navigating complex time signatures and subtle tempo shifts with finesse. The compositions range from meditative pieces to more rhythmically intricate tracks, maintaining a cohesive narrative that invites introspection.
Critics have noted the album's austere yet captivating quality, highlighting its ability to evoke a range of emotions through nuanced performances.
The production captures the ensemble's synergy, allowing each instrument's voice to resonate clearly within the mix.
Read more ... Bandcamp
Fervency
PASQUALE GRASSO
Released 7 February 2025
****-
In peak form, Grasso delivers razor-sharp bebop lines, harmonic sophistication, and fearless improvisation in a trio setting that swings with effortless precision.
Pasquale Grasso, an Italian-born guitarist now based in New York City, is celebrated for his virtuosic technique and deep reverence for jazz traditions. Mentored by jazz piano legend Barry Harris, Grasso has developed a distinctive style that seamlessly blends classical precision with bebop fluency. His innovative approach has garnered high praise, with Pat Metheny lauding him as "the best guitar player I’ve heard in maybe my life."
Grasso's collaborations include work with vocalist Samara Joy and a series of recordings honoring jazz icons like Bud Powell and Charlie Parker.
Fervency showcases Grasso's mastery in a trio setting alongside longtime collaborators Ari Roland (bass) and Keith Balla (drums).
The album features a thoughtfully curated selection of compositions, blending lesser-known jazz gems with a few classics, reflecting Grasso's deep respect for jazz history and his interest in pushing the tradition forward.
The opening track, "Sub City," sets the tone with intricate melodic lines and rhythmic interplay, highlighting the trio's cohesive synergy. Grasso's original composition, "Fervency," serves as the album's centerpiece, encapsulating his innovative spirit and technical prowess. The trio's rendition of "Milestones" pays homage to Miles Davis, infusing the classic tune with fresh energy and inventive improvisations. Throughout the album, Roland's bass and Balla's drums provide a dynamic foundation, allowing Grasso's guitar to navigate complex harmonic landscapes with ease.
Critics have lauded Fervency as a bold example of Grasso's reverence for jazz history and his ability to push the tradition forward.
The album's production captures the nuances of the trio's interplay, offering listeners an immersive auditory experience that balances technical brilliance with emotive expression.
Read more ... Pasquale Grasso
NYAA WA
CHARLIE NEEDS BRACES
Released 20 February 2025
****-
NYAA WA pulses with vibrant rhythms and evocative storytelling, as Charlie Needs Braces seamlessly fuses Indigenous heritage with contemporary pop, crafting an album that's both enlightening and irresistibly danceable.
Charlie Needs Braces is the musical project of Charlie Woods, a proud GuriNgai woman and direct descendant of Bungaree and Matora. Based in Naarm (Melbourne), Australia, Woods utilizes live looping, vocals, and trumpet to create a unique sound that blends contemporary electronic pop with Indigenous language and storytelling. Her music emphasizes environmental conservation and cultural preservation.
NYAA WA, meaning "take care" in the GuriNgai language, is Charlie Needs Braces' sophomore album - the follow-up to Saltwater People (2023).
The album opens with "Dyarrubin," a track that underscores the importance of protecting and caring for Country. Throughout the album, Woods combines samples, vocals, and trumpet to craft a sound that is both modern and deeply rooted in Aboriginal folklore.
Tracks like "This Land" and "Woy Woy" highlight her commitment to environmental themes, urging listeners to preserve sacred sites and natural habitats.
The album's production is characterized by its danceable rhythms and mood-lifting melodies, drawing comparisons to artists like Björk for its modern psychedelic pop sensibilities.
NYAA WA serves as a testament to Woods' ability to intertwine cultural narratives with contemporary music, offering a refreshing and socially conscious listening experience.
Read more ... Bandcamp
Forest Party
MATT HSU'S OBSCURE ORCHESTRA
Released 1 February 2025
*****
"Forest Party" stands out as an innovative and genre-defying work that challenges conventional musical boundaries. Its rich tapestry of sounds and commitment to social justice themes make it a compelling listen that is both thought-provoking and sonically adventurous.
Matt Hsu's Obscure Orchestra, led by Taiwanese-Australian composer and multi-instrumentalist Matt Hsu, is a Brisbane-based ensemble celebrated for its eclectic fusion of genres and commitment to inclusivity. The orchestra comprises a diverse collective of artists, including First Nations, disabled, queer, trans, non-binary, neurodiverse, and BIPOC musicians, unified by a community-driven ethos and a passion for anti-colonial expression.
"Forest Party" is one of two albums unveiled simultaneously, the other being "Noodle." Together, they are dubbed "Slowly Made Songs for Curious Ears."
"Forest Party" encapsulates the essence of a vibrant neighborhood, offering a sonic tapestry that blends jazz, hip-hop, folk, ambient, and more.
The album embarks on an experimental, neon-eclectic journey, with tracks like "Welcome To The Neighbourhood" setting the stage by merging smooth soul and R&B with spoken word elements. Other compositions, such as "Only Person of Colour at the Indie Hang" and "Speaking In Dove," incorporate traditional motifs and natural soundscapes, creating a meditative ambiance.
Conversely, songs like "Glitter & Gold" and "Last Time That I Checc’d" infuse hip-hop and R&B with intricate arrangements and hypnotic rhythms, inviting deep listener engagement.
In addition to the musical release, Matt Hsu collaborated with illustrator Madi Marston to create a comic that chronicles the origins of the Obscure Orchestra. This visual narrative complements the album's themes and offers fans a deeper insight into the ensemble's journey and ethos.
Read more... Bandcamp
Noodle
MATT HSU'S OBSCURE ORCHESTRA
Released 1 February 2025
*****
In contrast to "Forest Party," which leans towards a more accessible and genre-blending approach, "Noodle" stands out for its avant-garde and exploratory nature, inviting listeners to engage deeply with its complex textures and thought-provoking themes.
"Noodle" is one of two albums released simultaneously by Matt Hsu's Obscure Orchestra, alongside "Forest Party."
While "Forest Party" offers a vibrant blend of genres reflecting a lively neighborhood atmosphere, "Noodle" delves into more experimental and textural soundscapes. Crafted over five years, both albums showcase Hsu's innovative approach to music-making.
"Noodle" is characterized by its dynamic compositions built upon sonic dissonance and engaging samples, creating an immersive auditory experience. The album features a diverse range of collaborators, including artists like Tom Thum, L-FRESH The LION, and Nardean, contributing to its rich and eclectic sound. Themes of anti-racism, queerness, belonging, and activism are interwoven throughout the tracks, reflecting Hsu's commitment to social justice and inclusivity. Notably, "Noodle" has been recognized as 4ZZZ's Album of the Week, highlighting its impact within the music community.
Read more ... Bandcamp
Totally Right
WRONG WAY UP
Released 21 February 2025
****-
A dynamic and innovative debut, showcasing Wrong Way Up's ability to blend diverse musical influences into a cohesive and engaging experience.
The album not only pays respect to their musical predecessors but also carves out a unique space in the contemporary music scene.
Wrong Way Up is a Melbourne-based Afro-synth duo comprising vocalists and songwriters Emmanuela Degery and Andrew Phillips. Degery, originally from South Sudan, brings a rich gospel background, infusing the music with the power and resilience characteristic of the African female voice. Phillips, a seasoned performer and DJ, complements this with his expertise in vintage synthesizers and drum machines, weaving energetic and pulsating grooves. The duo previously collaborated in the "outernational psychedelia" outfit Broadway Sounds before forming Wrong Way Up.
Their debut album, "Totally Right" pays homage to influential artists such as Francis Bebey, William Onyeabor, and the Lijadu Sisters. The album channels vintage Afro disco and psychedelic boogie, delivering energetic melodies, deep grooves, and addictive chants. Utilizing quirky synthesizers and 1970s drum machines, the album creates a sonic landscape that feels both fresh and familiar.
The album captures an infectious energy and dancefloor appeal that successfully bridges any gap that might have existed between traditional African sounds and contemporary electronic music.
Read more ... Bandcamp
VERSUS
SH4RIFF
Released 5 February 2025
****-
His sound is a fusion of cultures and eras, shaped by the haunting melodies of Malay music his mother introduced him to early on and the atmospheric depth of 70s British records his father often played on drives to school.
The only substantial English language information I have found for SH4RIFF is his Spotify profile, which quite accurately described him as "more than just an artist – he’s a craftsman".
It fleshes out his background, how he has been writing, producing, recording, mixing, and mastering his own music, since the age of 16, refining his skills with each release. His discography runs to 25 singles and 5 EP's since 2021.
This unique blend, combined with his affinity for 808s and digital production, formed the foundation of his signature dark R&B/Hip-Hop sound – moody, evocative, and deeply immersive.
Lyrically, SH4RIFF gravitates toward themes of love and heartbreak, though his artistry extends beyond romance. He occasionally shifts gears, creating uplifting, confidence-driven anthems with the same precision and emotion. His goal isn’t just to create music that resonates but to achieve true mastery – transforming personal pain into timeless, meticulously designed art that connects with listeners worldwide.
Read more... Spotify
PATTERNS
ALI
Released 21 February 2025
****-
With innovative spirit and cultural consciousness "Patterns" successfully bridges the gap between traditional influences and contemporary sounds - announcing Ali as an emerging force in the global music scene.
Ali is a dynamic three-piece musical project originating from Jakarta, Indonesia. Formed by John Paul Patton and Arswandaru Cahyo, the band aims to blend Middle Eastern culture with elements of 1970s Indonesian rock, cinematic soul, Afrobeat, funk, and disco. This fusion creates a distinctive sound that resonates within the vibrant Indonesian music scene. Notably, all lyrics are written in Arabic, reflecting the deep assimilation of Middle Eastern art and music into Indonesian culture.
The 1970s Indonesian funk sound serves as a foundation, intertwined with Arab influences that honor Cahyo's heritage. This blend aligns with the "habibi funk" movement, which melds Middle Eastern music with funk and disco. The band's music often evokes comparisons to groups like Khruangbin, known for their instrumental hybridity and cross-cultural appeal.
The EP draws inspiration from the intricate motifs of traded carpets, symbolizing cultural exchange and storytelling. This thematic choice adds depth to the listening experience, inviting listeners to explore narratives woven into the music. The tracks possess a cinematic quality, with compositions that could seamlessly score a film's evolving narrative. While rooted in the 1970s sound, Ali transcends mere revivalism, crafting something uniquely contemporary.
Read more ... Bandcamp
Lovers Dance Academy
CLOSE COUNTERS
Released 12 February 2025
****-
Close Counters have crafted a unique sound that is firmly anchored in contemporary electronic music, generating an innovative musical experience that pushes at the boundaries of contemporary dance music.
Lovers Dance Academy by Close Counters is an infectious blend of jazz, funk, and electronic music that captures the vibrant energy of contemporary jazz fusion while also channeling the groove-heavy atmospheres of the dancefloor.
The Melbourne-based duo, consisting of Allan McConnell and Finn Rees, bring a fresh and sophisticated sound to the table, fusing rich, live instrumentation with electronic production in an innovative way.
What stands out on Lovers Dance Academy is the seamless incorporation of electronic textures alongside the organic rhythms of jazz. The album’s tone is undeniably sophisticated, with every track feeling meticulously constructed, but it never loses its sense of playfulness. Each song explores different moods, from the effortlessly cool “Marbella” to the upbeat, danceable vibes of “Neon Flare,” showcasing the duo’s ability to create diversity without ever breaking the cohesive feel of the record.
Close Counters has crafted a sonically rich album that feels both modern and timeless. Lovers Dance Academy is a testament to the band’s ability to innovate while remaining grounded in the traditions of jazz, funk, and soul. It’s an album made for both the head and the hips, perfectly suited for reflective listening or energizing the dancefloor
Read more ... Bandcamp
I Just Need To Conquer This Mountain -
Live At The Factory Theatre
SARAH BLASKO
Released 25 February 2025
****-
The live recording format adds a layer of intimacy to a set list that reminds us of Blasko's ability to confront personal and universal themes with grace and authenticity - making this a compelling listen for both long-time fans and newcomers alike.
Born the daughter of Christian missionaries and born in Sydney in 1976, Sarah Blasko, is a distinguished singer-songwriter and musician known for her ethereal vocals and introspective songwriting.
Beginning her musical journey fronting the Sydney-based band Acquiesce in the mid-1990s Blasko's debut solo album, "The Overture & the Underscore" (2004), marked the beginning of a series of critically acclaimed releases, including "What the Sea Wants, the Sea Will Have"(2006), "As Day Follows Night"(2009), "I Awake"(2012), "Eternal Return"(2015), and "Depth of Field"(2018). Her work has garnered multiple ARIA Awards and nominations, reflecting her significant impact on the Australian music scene.
"I Just Need to Conquer This Mountain," delves into profound themes - death, divorce, broken faith, and friendship - offering listeners an intimate glimpse into her personal reflections. The live setting enhances the raw and authentic delivery of her performances, capturing the emotional depth of each song.
The album's arrangements are both delicate and powerful, allowing Blasko's vocals to shine amidst minimalistic instrumentation.
Read more ... Sarah Blasko
In The Blue Light
KELELA
Released 11 February 2025
*****
Kelela transforms the Blue Note into her personal spaceship, navigating galaxies of R&B and electronic bliss.
Kelela Mizanekristos, known as Kelela, is an American singer-songwriter celebrated for blending alternative R&B with electronic music. Debuting with the mixtape Cut 4 Me (2013), she gained acclaim for her innovative sound. Her albums Take Me Apart (2017) and Raven (2023) further showcase her genre-defying artistry and emotive vocal delivery.
In the Blue Light is Kelela's live album, recorded at New York's iconic Blue Note Jazz Club. This performance captures her dynamic stage presence and ability to reinterpret her studio work in a live setting.
The album features 12 tracks, including notable songs like "Enemy," "Raven," and "Take Me Apart," each exploring themes of love, self-reflection, and healing. Drawing inspiration from artists such as Amel Larrieux and Janet Jackson, Kelela injects an R&B sensibility and emotional depth into her electronic dance music. Her interpretation of Joni Mitchell's "Furry Sings The Blues" (unplugged) is outstanding.
Throughout the album, Kelela's emotive vocals are complemented by sharp choreography and a profound sense of self-awareness, creating a captivating live experience.
Read more ... Kelela
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GOO
LUCHII
Released 16 February 2025
****-
This is Indian Ocean chill-out music - as horizontally inclined as Cafe Del Mar, that layers hip-hop beats, tensile production and concise song durations, rarely exceeding three minutes.
GOO (Deluxe) is the most recent collection from this low-profile Perth (Western Australia) based artist whose online presence is practically non-existent - apart from a few lonely triplejunearhed entries from years ago.
However Spotify (and other media sites) carry an impressive discography of 48 individual releases - 10 Albums, 5 EP's and 33 singles - over the past decade, each one strikingly illustrated by first-rate neo-expressionist artwork that seems inspired by Jean-Michel Basquiat.
Just like his cover artwork, Luchii's brand of electronic hip-hop is collage: mellow sounds, wide-ranging themes (abounding with naturalistic, botanical and anatomical, themes), keyboard-driven, out of immersive production and slow tempos.
Read more ... nothing found - so nothing to share!
Meet Me In The Garden
RITA SATCH
Released 14 February 2025
****-
At its heart, the album channels the timeless elegance of Marvin Gaye while embracing the innovation of contemporary artists like Nick Hakim and Lianne La Havas
Rita Satch releases her highly anticipated debut album, Meet Me in the Garden, a richly textured exploration of love, death and renewal.
The album was co-produced by Felix Bloxsom (SIA, Genesis Owusu), Daniel Mougerman (The Bamboos), and Satch herself, and mixed by three-time Grammy-winning engineer Ben Kane (D’Angelo, Emily King).
With contributions from some of Naarm/Melbourne’s most celebrated musicians, and a stunning 12-piece string orchestra, Meet Me in the Garden blends smooth soul with contemporary R&B, orchestral textures, and layers of vocal stacks reminiscent of D’Angelo and Bilal.
“These songs flowed out of me in response to life’s most profound moments,” says Satch. “Losing both of my grandmothers during the creation of this album was devastating, but writing Warrior Princess helped me process my grief, and Meet Me in the Garden was inspired by my Kabbalah studies, which brought me peace knowing we’ll one day reunite in the Garden of Eden. I’m so proud of what we’ve created and deeply grateful to my incredible collaborators for helping bring my garden to life.” .
Read more ... Bandcamp
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After Five (EP)
LUKE ALESSI, ALDONNA, PABLO BOZZI
Released 31 January 2025
****-
An irresistible meld of two original records and reimaginings - poised to set the tone for 2025.
Melbourne based producer Luke Alessi's music sits in its own lane, refusing to be pigeonholed into any conventional genre. A frequent collaborator of Chloe Caillet, Carlita, Rüfus Du Sol, and many more established talents, 2024 was a huge year for Alessi, with noticeable DJ debuts from Mexico to Asia via Europe and North America‘. After Five’ EP is a sonic journey through moody elegance and late-night allure, the release is complemented by remixes from boundary-pushing producers Pablo Bozzi and Aldonna.
The title track, ‘After Five’ received an avalanche of praise upon release, proving Luke Alessi’s knack for crafting sophisticated beats that resonate across dancefloors.
Picture a roaring 1920s debauched, excessive and riotous cocktail party with screaming brass moments meets 1970s funk and disco grooves that loop and tumble you into a hypnotic state while Barry White's voice guides you through the whole experience. ‘After Five’ was designed to make you feel sexy, groovy and a little bit wild.
The track was named as Pete Tong’s Essential New Tune on his coveted BBC Radio 1 show, picked up over ten placements on Spotify and Apple Music editorial playlists and received heavyweight DJ support from tastemakers like DJ Tennis, Dixon, La Fleur, Laurent Garnier, Jimi Jules, and Demi Riquísimo: clearlyu, the track has struck a universal chord.
Pablo Bozzi’s remix puts his signature Italo flex on the track, turning it into a hedonistic and raucous party anthem.
Known for her idiosyncratic sound that mirrors her deep sonic interest for the nineties and early noughties, Aldonna finds her sweet spot between House, Progressive and Trance with her remix of ‘Day Dreams of Beaches’ reflecting exactly this.
Read more ... Bandcamp
22_23 Live Sessions
FKJ
Released 13 December 2024
****-
This collection breathes with the spontaneity of a live performance while maintaining the refined production quality that has become his signature.
FKJ (French Kiwi Juice) is the moniker of Vincent Fenton, is a French multi-instrumentalist and producer celebrated for his genre-blending sound, fusing jazz, R&B, and electronic music with effortless finesse. Known for his dynamic live performances, he captivates audiences by looping instruments in real time, crafting immersive, free-flowing sonic landscapes.
With 22_23 Live Sessions, FKJ reaffirms his reputation as a master of organic, groove-driven soundscapes. His multi-instrumental dexterity is on full display, seamlessly layering lush synths, rich basslines, and soaring saxophone melodies.
Every track feels like a journey, evolving naturally without ever feeling rushed. FKJ’s ability to blend electronic textures with soulful improvisation results in an album that is as hypnotic as it is technically impressive. Whether it’s the fluidity of his transitions or the depth of his harmonies, 22_23 Live Sessions offers an immersive listening experience that highlights the sheer artistry behind his performances. A must-listen for both longtime fans and newcomers alike.
Read more ... Bandcamp
Safe Place
JULIEN & ROMAN WASSERFUHR
Released 31 January 2025
****-
"In a world increasingly defined by chaos and eschatological aims, we hope that this album will offer refuge. For us, Safe Place is neither a physical location nor a person; it is a state of mind to be reached through immersion in the depths of music".
In their latest album, Safe Place, German jazz duo Roman and Julian Wasserfuhr craft an intimate refuge through music. This is not about a physical destination—it’s a state of mind, a sanctuary for reflection and focus amidst the noise of modern life. Joined by cellist Jörg Brinkmann and saxophonist Paul Heller, the brothers craft an intimate, heartfelt soundscape that celebrates genuine connection and invite the listener on a musical journey away from distractions, offering clarity and tranquility. It’s a celebration of friendships, authenticity, and the power of music to ground us in what truly matters.
This album takes us on a musical journey, leading us away from the constant distractions and superficiality of our daily surroundings to a deeper, more introspective place, where we have the personal space to focus on what is essential – on the things that truly matter. We deliberately took the decision to record this music in an intimate setting, alongside cellist Jörg Brinkmann and saxophonist Paul Heller. Our close collaboration with them reflects a deeply held belief that genuine friendships and meaningful relationships are sources of strength which can help us to overcome chaos.of calm amidst the stormy seas of life.
Read more ... Challenger Records
Slow Fawn Music No. 1
SAM COHEN
Released 31 February 2025
Slow Fawn Music / 30the Century Records / Secretly Distribution
****-
Sam Cohen is an American singer, songwriter, multi-instrumentalist, and producer known for his contributions to the psychedelic rock and indie folk genres.
Born in Houston, Texas, Cohen's musical journey began at the Berklee College of Music, where he co-founded the neo-psychedelic band Apollo Sunshine in 2001. The group released several albums, earning acclaim for their innovative sound.
Following the band's dissolution, Cohen launched the solo project Yellowbirds in 2009, releasing "The Color" (2011) and "Songs from the Vanished Frontier" (2013), both of which showcased his ability to blend rock, folk, and R&B through a psychedelic lens.
As a solo artist, Cohen released "Cool It" in 2015, a record where he played most of the instruments, further establishing his reputation for crafting intricate, genre-blending compositions. Beyond his own projects, Cohen has been a sought-after collaborator, contributing to works by artists like Norah Jones, Shakira, and Kevin Morby. His roles have spanned from session musician to producer, highlighting his versatility within the music industry.
Read more ... Bandcamp
Slow Fawn Music No. 2
SAM COHEN
Released 31 February 2025
Slow Fawn Music / 30the Century Records / Secretly Distribution
****-
While specific reviews of "Slow Fawn" are limited, Cohen's consistent ability to blend genres and create immersive soundscapes suggests that this album continues his tradition of musical exploration.
"Slow Fawn" is an album that reflects Cohen's willingness to step out of his comfort zone. The record features contributions from artists like Photay (Evan Shornstein), who provides percussive Buchla synthesizer, piano, and drumming, and Oliver Hill (aka Dustrider), who offers violin and piano. Saundra Williams lends her voice to the hypnotic refrain of 'Another World.' The album's use of bass and drum grooves is sparing, allowing it to float as often as it pounds.
Listeners can anticipate a collection that is both experimental and grounded, offering a fresh perspective on Cohen's evolving artistry.
Slow Fawn Music Vol. 1 is a reissue of the original Slow Fawn, however Slow Fawn Music Vol 2 is a further step forward along Sam Cohen's artistic path. Although he follows the same methodology of approach as the original Slow Fawn and once again calls upon trusted collaborators Photay aka Evan Shorstein (Buchla synthesizer, piano, drums, synth percussion), Oliver Hill - aka Dustrider (bass clarinet, clarinet, tenor sax, flute, piano), Stuart Bogie (bass clarinet, clarinet, tenor sax, flute, piano), Cochemea Gastelum (tenor sax, alto sax, flute), now he also brings in percussionist extraordinaire Makaya McCraven on a number of tracks.
Read more ... Bandcamp
Nordic Lights In Persian Sky
CONSTANTINOPLE
Released 21 February 2025
****-
With Nordic Lights in Persian Sky, Constantinople reaffirm their status as cultural bridge-builders, offering an artistic vision both grounded and exploratory.
Founded in 1998 by Iranian-born, Canada-based musician Kiya Tabassian, Constantinople is an ensemble dedicated to exploring musical dialogues between different cultures. Their music fuses Persian classical traditions with elements from the Mediterranean, Europe, and beyond.
Rooted in historical authenticity while embracing innovation, the ensemble often collaborates with global musicians, creating works that transcend geographical and temporal boundaries. Their repertoire spans medieval, Renaissance, and contemporary traditions, showcasing a deep respect for oral and written traditions alike.
On Nordic Lights in Persian Sky, Constantinople collaborates with the Nordic folk trio Dreamers’ Circus, merging Persian classical modes with Scandinavian folk traditions. The album embodies the group’s signature approach: fluid improvisation interwoven with structured compositions. Persian setar and Scandinavian fiddles converse organically, revealing unexpected commonalities in ornamentation, rhythm, and melancholic beauty. The result is a contemplative, atmospheric album that balances historical authenticity with artistic reinterpretation.
If authenticity is measured by deep musical knowledge, respect for diverse traditions, and the ability to synthesize them meaningfully, Constantinople excels. Their collaborations avoid superficial fusion, instead engaging in genuine musical conversation.
Read more ... Constantinople
The Bagatelles Vol. 1
JOHN ZORN
MARY HALVERSON QUARTET
Released 24 January 2025
****-
A profound exploration of Zorn's compositions with generational guitarist Mary Halverson's renowned Quartet
John Zorn's The Bagatelles Vol. 2 is a distinguished entry in his expansive Bagatelles series, featuring the collaborative talents of cellists Erik Friedlander and Michael Nicolas.
Between March and May 2015, Zorn composed 300 new pieces collectively titled The Bagatelles. These compositions have since been interpreted by various ensembles, resulting in a series of albums that highlight the diversity and depth of Zorn's musical language.
This first volume features the remarkable Mary Halvorson Quartet. Dynamic, fiery and endlessly imaginative, this is a fascinating first peek into the world of Zorn’s “Bagatelles.”
Personnel-
Tomas Fujiwara: Drums
Drew Gress: Bass
Mary Halvorson: Guitar
Miles Okazaki: Guitar
Read more ... Tzadik
The Bagatelles Vol. 2
JOHN ZORN
ERIC FRIEDLANDER & MICHAEL NICOLAS
Released 21 February 2025
****-
Further exploration of Zorn's compositions, this time through the expressive interplay of two masterful cellists
Captured in 2019 at Oktaven Studios in New York, this duo session distills Zorn's intricate writing to its essence, presenting an intimate yet adventurous dialogue between Friedlander and Nicolas.
A cellist renowned for his innovative approach, Friedlander brings a wealth of experience in both classical and contemporary music.
Equally adept in classical and modern repertoires, Nicolas's performance complements Friedlander's, resulting in a cohesive and dynamic interpretation of Zorn's work.
Personnel
Eric Friedlander - Cello
Michael Nicolas - Cello
Read more ... Tzadik
Renascence
CYMANDE
Released 31 January 2025
****-
Rather than a nostalgic rehash, Renascence feels like a natural continuation of the band’s journey. It reaffirms Cymande’s status as masterful musicians whose sound remains relevant and powerful, not as a revival act but as vital contributors to the evolving landscape of global funk and soul.
A true return to form and jewel in the crown of their iconic discography, Renascence picks up where their 1974 album Promised Heights left off – a spiritual and sonic follow-up, bringing a fresh modern edge to their iconic sound, which remains foundational to early hip-hop and funk scenes in the United States and UK.
Renascence tells the story of a band that never fully got its due back in the day; but are back to take the crown by remaining true to themselves – politically aware, and spiritually positive with infectious grooves.
The album's effortless musicianship - tight, interlocking rhythms, fluid basslines, and hypnotic percussion underpinning soaring horn arrangements and rich, layered vocals - make it compelling. The band's mastery of syncopation and call-and-response dynamics ensures that their sound remains as infectious and immersive as ever. Their jazz influences come through in intricate improvisational sections, while reggae’s laid-back pulse infuses the music with an organic flow.
The production is warm and expansive, allowing each instrument to breathe while maintaining the rhythmic intensity that defined their early work. While the album embraces contemporary elements, it never strays far from Cymande’s core identity—a deep, spiritual groove that transcends trends.
Read more ... Constantinople
Mundoagua -
Celebrating Carla Bley
ARTURO O'FARILL
THE AFRO LATIN JAZZ ORCHESTRA
Released 17 January 2025
****-
"Mundoagua" not only pays homage to a jazz icon but also exemplifies the ALJO's commitment to expanding the boundaries of Afro-Latin jazz.
The son of the influential Cuban composer Chico O'Farrill and Mexican-American singer Guadalupe Valero O'Farrill, Arturo was born in Mexico City in 1960, but moved to New York at age five and honed his musical skills at the Manhattan School of Music and the Brooklyn College Conservatory.
He played with notable artists such as Carla Bley, Dizzy Gillespie, and Wynton Marsalis and took over his father's Afro-Cuban Jazz Big Band in 1995.
In 2002, he founded the ALJO at the Lincoln Center, aiming to preserve and innovate within the Afro-Latin jazz tradition and under his direction, the ALJO has earned multiple Grammy Awards, including Best Latin Jazz Album for "Song for Chico" and "The Offense of the Drum."
The album "Mundoagua: Celebrating Carla Bley" is a tribute to the avant-garde composer and pianist Carla Bley, with whom O'Farrill collaborated early in his career. This project showcases O'Farrill's deep respect for Bley's innovative spirit, blending her unconventional compositions with the ALJO's vibrant Afro-Latin rhythms. The album features intricate arrangements that honor Bley's experimental approach while infusing it with the orchestra's dynamic energy. O'Farrill's piano work interweaves seamlessly with the ensemble, highlighting his versatility and deep understanding of Bley's musical language.
Read more ... Arturo O'Farill
Fasten Up
YELLOWJACKETS
Released 21 February 2025
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"Fasten Up" not only honors the band's rich history but also accelerates them into the future, blending old and new influences in equal measure. The album's vibrant compositions and arrangements highlight the remarkable cohesion and innovation that have defined Yellowjackets' legacy over the decades.
Yellowjackets, formed in 1977 as the Robben Ford Group, is a renowned American jazz fusion quartet known for blending jazz, rock, pop, and Latin influences. The original lineup featured guitarist Robben Ford, keyboardist Russell Ferrante, bassist Jimmy Haslip, and drummer Ricky Lawson.
The band's lineup has evolved over the years and the lineup for this album includes Russell Ferrante on piano and keyboards, Bob Mintzer on saxophones, Dane Alderson on electric bass and MIDI sequencer, and Will Kennedy on drums.
Fasten Up, exemplifies their enduring commitment to musical exploration and unity. The album bursts with energy, featuring 10 originals and a lively cover of Ben Tucker's "Comin' Home Baby."
The compositions showcase the band's signature style, characterized by muscular funk grooves, deep emotional ballads, and a profound sense of swing. The band's collective joy and discovery are palpable throughout the record, reinforcing the band's ethos of continuous evolution and self-discovery.
Read more ... Tzadik
Looking Back
SCOTT HAMILTON
Released 15 November 2024
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Looking Back features a classic hard-bop chemistry that is undeniable and irresistible. The ensemble is skilled in shining as individuals and as parts of a greater whole, with each member enhancing the others’ contributions.
In Looking Back, Scott Hamilton takes us on a journey through time, reflecting on a career forged by solo excellence and the bonds of collaboration. The seventy-year-old tenor saxophonist, known for his deep connection to the jazz tradition, has crafted a ten-track album reflecting his artistic journey and the many jazz giants and fellow musicians who have shaped his sound. Hamilton, alongside his Scandinavian quartet - Jan Lundgren on piano, Hans Backenroth on bass, and Kristian Leth on drums - delivers a set based on dialogue between musical friends. Their common jazz language allows the quartet to move as a unit, each player indispensable, each a flowing performance in the intricate hard-bop conversation.
The album opens with the ballad “I’ve Grown Accustomed to Her Face”, but the musical conversation soon deepens for “The Maids of Cadiz,” Hamilton’s melodic lines are built with impeccable phrasing, creating an interplay that is about giving space
“Big Tate,” Hamilton’s original blues, then showcases the band at its most expressive and in title track “Tune Up,” the quartet embraces a more up-tempo swing.
“Shadowland” a waltz ballad, brings a different expression into the album, as the 3/4 time signature allows the ensemble to explore a more expansive soundscape, making it a highlight of the quartet’s shared sensitivity and musical maturity.
Closing the album, “On a Clear Day” shifts the mood to a Latin jazz feel, delivering a performance that truly shines in its subtle interaction within the quartet.
Hamilton’s rich, warm tone and lyrical phrasing are at the forefront, but this is an album about the collective experience—about how each member of this quartet brings something unique to the jazz expression.
Read more ... The Jazz Word
Southern Nights
SULLIVAN FORTNER
Released 14 February 2025
Sullivan Fortner / Artwork Records
****-
The trio's cohesive performance and Fortner's inventive interpretations make this release a significant contribution to contemporary jazz.
For more than a decade, Sullivan Fortner has been stretching deep-rooted talents as a pianist, composer, band leader and uncompromising individualist. The GRAMMY Award-winning artist (for collaboration with Cecile McLorin Salvant) and educator out of New Orleans is also winner of the 2024 DownBeat Critics Poll for Rising Star Jazz Group. The prolific artist has enjoyed creative associations with Wynton Marsalis, Paul Simon, Diane Reeves, Etienne Charles and John Scofield; his frequent and longtime collaborators have included Ambrose Akinmusire, Dee Dee Bridgewater, Stefon Harris, Kassa Overall, Tivon Pennicott, Peter Bernstein, Nicholas Payton, Billy Hart, Gary Bartz, Chief Adjuah and the late Roy Hargrove.
For Southern Nights Fortner has formed a trio alongside Peter Washington (bass) and Marcus Gilmore (drums). Washington, a longtime member of the Bill Charlap Trio, has played with Art Blakey, Tommy Flanagan, Diana Krall, and countless others. Gilmore, grandson of Roy Haynes, first made waves with Vijay Iyer before working with Chick Corea, Kenny Garrett, and Pat Metheny.
The trio's synergy is evident, delivering complex rhythms and beautiful melodies with apparent ease. Fortner's arrangement of Allen Toussaint's "Southern Nights" transforms the original pop tune into a piano-centric piece, infusing it with joy and complexity.
Read more ... Sullivan Fortner Music
Gather
ALISTER SPENCE TRIO
Released 24 February 2025
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The album’s rich sonic landscape weaves together elements of modern jazz, electronic experimentation, and subtle hints of ambient influence, all while maintaining a deep emotional resonance.
Alister Spence, born August 23, 1955, is an Australian jazz pianist and composer renowned for his innovative contributions to jazz and improvised music. He has collaborated with esteemed artists and ensembles, including the Raymond MacDonald International Big Band and the Australian Art Orchestra. Spence's compositions have also graced the soundtracks of films such as Ivan Sen's "Beneath Clouds."
"Gather" marks the eighth album by the Alister Spence Trio, featuring bassist Lloyd Swanton and drummer Toby Hall.
The album comprises eight tracks, blending Spence's original compositions with spontaneous improvisations. The trio explores both structured and free-form musical landscapes, highlighting their deep synergy and individual prowess. The interplay among the musicians is dynamic, with each member contributing distinct textures and rhythms. While the experimental approach may challenge traditional jazz listeners, "Gather" offers a rich and rewarding experience for those open to avant-garde expressions. . While the experimental approach may challenge traditional jazz listeners, "Gather" offers a rich and rewarding experience for those open to avant-garde expressions.
Read more ... Bandcamp
Bird Feathers
JIM SNIDERO
PETER WASHINGTON / JOE FARNSWORTH
Released 21 February 2024
****-
Snidero's sax flutters and soars, echoing Bird's bebop brilliance while adding his own contemporary flair. Washington's bass lines walk the walk, and Tiemann's drums talk the talk, creating rhythms that make you want to snap your fingers and shuffle your feet.
The Jim Snidero Trio is led by Grammy Award-winning alto saxophonist Jim Snidero, renowned for his rich tone and improvisational mastery. The trio features bassist Peter Washington, one of the most recorded bassists of his generation, and drummer Jason Tiemann, a rising star in the New York jazz scene. Together, they explore the jazz repertoire with a fresh perspective, delivering performances that blend technical prowess with deep musicality.
Bird Feathers is a heartfelt homage to the legendary Charlie Parker. Celebrating the 40th anniversary of his debut as a bandleader, Snidero curates a selection of Parker's compositions and lesser-known works, offering listeners both familiarity and discovery. The album's trio format - saxophone, bass, and drums - creates an intimate setting that allows each musician's voice to shine.
Snidero's alto saxophone leads with clarity and passion, capturing Parker's bebop essence while injecting his own nuanced expressions. Bassist Peter Washington provides a solid harmonic foundation, his lines both supportive and melodically engaging. Drummer Jason Tiemann's rhythms are crisp and dynamic, driving the trio forward with subtlety and flair.
The recording environment plays a pivotal role in the album's success. The studio's acoustics, characterized by high ceilings and ample stone surfaces, contribute to a live, resonant sound that enhances the trio's interplay. This setting allows the horn to resonate beautifully, capturing the warmth and immediacy of a live performance.
Read more ... Jim Snidero
Rio Fantasia
DUDUKA DA FONSECA TRIO
Released 14 February 2025
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Each track is a postcard from Brazil, sent with love and rhythm, inviting listeners to sway, swing, and savor the rich flavors of Brazilian jazz.
The Duduka Da Fonseca Trio, named for the Rio de Janeiro born, New York based drummer, features pianist David Feldman and bassist Guto Wirtti, both esteemed figures in Brazilian music. Together, they blend traditional samba rhythms with contemporary jazz elements, creating a dynamic and authentic sound that honors Brazil's musical heritage while pushing creative boundaries.
Rio Fantasia features a collection of compositions that seamlessly blend samba rhythms with jazz improvisations, reflecting the trio's deep-rooted connection to Brazilian musical traditions.
Drummer Duduka Da Fonseca leads with finesse, his rhythms providing a pulsating foundation that drives the album's energetic tracks. Pianist David Feldman delivers melodic lines with both sensitivity and flair, while bassist Guto Wirtti anchors the trio with rich, resonant tones. The interplay among the trio members is evident, showcasing a cohesive unit that communicates effortlessly.
It's a compelling listen for jazz aficionados and newcomers alike, providing a rich tapestry of sounds that celebrate the vibrancy of Brazilian culture.
Read more ... Bandcamp
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Microdoses (EP)
AI YAMAMOTO, DAN WEST
Released 21 February 2025
****-
Each track is a sonic microcosm, inviting listeners to bask in nature's digital daydream - a harmonious blend of synthesized serenity and organic oscillations that's as refreshing as a morning dew.
Japanese-born Ai Yamamoto has been a prominent figure in the Australian electronic music scene since the early 2000s. Her work intricately blends ambient textures, experimental soundscapes, and electronica, drawing inspiration from field recordings, video games, and everyday life. Yamamoto's collaborations span a diverse range of artists, including Lawrence English, Dan West, Steve Law, Ben Skipper, and Ben Frost. Her compositions are known for their subtlety and restraint, creating immersive and affecting auditory experiences. Notable releases like "Remembering" showcase her playful yet focused approach to melody and harmony, solidifying her reputation as a versatile and innovative sound artist.
Dan West is a Melbourne-based instrumentalist, music producer, and sound designer. Operating from his custom-designed studio, tweakandtwang, West collaborates across disciplines to fuse organic and electronic sounds. His versatility spans genres such as rock, jazz, psychedelia, and folk, and he is proficient in instruments including piano, bass, guitar, drums, cello, upright bass, flute, and clarinet. West's prolific collaborations include projects with video artist Eugenia Lim, Butoh performer Yumi Umiumare, and the Hammond organ trio Cookin' On 3 Burners. His innovative approach has led to performances at venues like TATE Modern and the Noh Theatre in Japan.
Microdoses, the debut collaboration between Yamamoto and West, offers a captivating journey through ambient soundscapes, glitchy microbeats and abstracted rhythms, drawing inspiration from the natural world and weaving an aural tapestry that combines synthesis, field recordings, live instruments, and beat machines.
The album's production quality is noteworthy, capturing the warmth and immediacy of a live performance. The duo's ability to seamlessly integrate diverse sound sources results in a cohesive and immersive listening experience. Microdoses offers a fresh perspective on ambient electronic music that is both innovative and deeply respectful of its roots. It's a compelling listen for both electronic music aficionados and newcomers alike, providing a rich tapestry of sounds that celebrate the vibrancy of the natural world.
Read more ... Bandcamp
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Safara (EP)
RAMI IMAM
Released 7 February 2024
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Middle Eastern spices meet disco's zest, each track a dancefloor magic carpet ride. It's as if the ancient Silk Road got a modern remix, and the result is irresistibly groovy.
Rami Imam is an emerging electronic artist, producer, and songwriter based in Melbourne, Australia. Drawing from a diverse palette of genres—including disco, funk, rai, highlife, house, and electronic—Imam's music reflects his rich cultural heritage, with influences spanning the Middle East, North Africa, and the Mediterranean. In 2020, he founded Ponda Records, a platform for his cross-cultural sound explorations.
Released on his own label, Ponda Records, Safara exemplifies Imam's ability to blend cultural influences into a cohesive and danceable collection.
The EP opens with "Yale Yade," an energetic track that combines infectious beats with exotic melodies, setting the stage for the musical voyage ahead.
"Kidda" follows, offering a rhythmic experience that melds traditional instrumentation with modern electronic elements.
"Bombay Sundown" stands out with its euphoric, trance-like qualities, reflecting Imam's inspiration from the vibrant energy of city life.
"Dabo Ahes" introduces disco-inspired basslines reminiscent of Barry White, complemented by captivating vocal samples that add depth to the composition.
"Jungle Voyager" transports listeners through lush soundscapes, blending percussive elements with ambient textures. "Why Did You," the closing track, layers emotive melodies over a driving beat, leaving a lasting impression.Imam's global influences, spanning genres like disco, funk, rai, highlife, house, and electronic, are evident throughout the EP.
This diverse range, combined with cultural influences from the Middle East, North Africa, and the Mediterranean, contributes to the rich texture and pulsating tempo of Safara.
Read more ... Bandcamp
Martian Kitties
GORDON GRDINA, JIM BLACK
Released 25 February 2025
****-
As if Coltrane's spirit jammed with extraterrestrial felines. It's avant-garde mischief that's purr-fectly out of this world.
Patrick Jonsson is a Swedish-born, London-based composer renowned for his emotive film scores. His work includes the Academy Award-winning documentary The White Helmets (2016), earning him a Primetime Emmy nomination. Jonsson's compositions blend orchestral and electronic elements, reflecting his versatility and commitment to enhancing narrative storytelling.
PATRICKJONSSON.COM
Album Review of Out There (Original Television Soundtrack) (200 words):
Out There is a 2025 ITV thriller mini-series starring Martin Clunes, directed by Marc Evans and Philippa Langdale. The narrative follows a farmer confronting dark forces infiltrating his rural community, leading to an investigation into a county lines drug cartel. Patrick Jonsson composed the original score, released by Air-Edel Records on January 17, 2025.
AIR-EDEL.CO.UK
The soundtrack comprises 21 tracks, totaling 34 minutes. Notable compositions include "Gravity (Main Theme)," "Perspective," and "Sabine." Jonsson's music effectively underscores the series' tension and drama, employing a blend of orchestral and electronic elements to enhance the storytelling.
MUSIC.APPLE.COM
The opening track, "Gravity (Main Theme)," establishes a haunting atmosphere, setting the tone for the series. "Perspective" and "Sabine" further develop this mood, utilizing subtle melodies and harmonies to reflect the characters' complexities. Collaborations with artists like Richard Collins on tracks such as "Skip" and "Surveillance" introduce additional textures, enriching the overall soundscape.
RADIOTIMES.COM
Jonsson's score adeptly mirrors the series' narrative arcs, with compositions like "Raid" and "Drone Chase" heightening suspense during pivotal moments. The closing piece, "Gravity (Reprise)," revisits the main theme, providing a cohesive conclusion to the musical journey. Overall, the soundtrack stands as a testament to Jonsson's ability to craft music that not only complements but also elevates visual storytelling.
Read more ... Bandcamp
Entrance Music
OKONSKI
Released 28 February 2025
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Soundscapes so soothing, you might forget you're not actually lounging by a serene lake. It's the perfect soundtrack for sipping herbal tea while contemplating life's mysteries - or just pretending to.
Steve Okonski is a classically trained pianist and leader of the jazz trio Okonski. Transitioning from classical roots to jazz, he collaborates with bassist Michael Montgomery and drummer Aaron Frazer, both members of Durand Jones & The Indications. Their music blends improvisational jazz with soulful rhythms, creating a distinctive sound.
Entrance Music, the sophomore album from the trio, showcases a refined exploration of ambient jazz, blending improvisational spontaneity with structured composition.
The opening track, "October," sets a tranquil tone with its pastoral melodies, inviting listeners into a world of calm reflection. "Vista" and "Lakebridge" continue this journey, offering lush harmonies and subtle rhythmic interplay that highlight the trio's cohesive musicianship. "Wind or Vertigo" introduces a slightly more dynamic tempo, showcasing Okonski's intricate piano work complemented by Montgomery's resonant bass lines and Frazer's delicate drumming.
"Passing Through" and "Summer Storm" exemplify the trio's ability to balance improvisation with compositional structure, creating pieces that are both engaging and soothing. The album's closing tracks, "Dahlia," "Dusk," and "Penny," maintain the ethereal atmosphere, with "Dusk" standing out for its evocative melodies that linger in the listener's mind.
Critics have noted the album's subtle complexity. Jazzwise magazine remarked on the charm of Okonski's stripped-down performances, suggesting that fans of Andrew Hill may appreciate the album's airy quality. Music Connection awarded the album a 7/10 rating, praising the stellar musicianship but mentioning that its repetitive structures might render it more suitable as background music than an engaging listen.
Read more ... Bandcamp
Ad Hoc
ORGANIC PULSE ENSEMBLE
Released 7 February 2025
Puro Recordings / Playground Music
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True to its name, Ad Hoc embraces spontaneity and the art of being in the moment, with each track crafted using a Tascam four-track tape recorder.
Ad Hoc is the latest offering from Swedish multi-instrumentalist Gustav Horneij, under his Organic Pulse Ensemble alias. Playing all the instruments himself, Gustav used this minimalist recording method to capture most performances in a single take, leaving no room for the digital safety net of endless edits. Instead, mistakes became opportunities, reshaped into defining features of the album - a process Gustav calls "problem-solving on the fly."
The result is a vibrant collection of spiritual jazz compositions, where modal grooves, layered percussion, and emotive saxophone and flute solos converge with Ethio-jazz and Eastern influences. While the album retains the meditative and exploratory qualities that characterize Horneij's work, tracks like Solid bring a funkier, groove-driven energy to the mix, adding dynamic contrast to the album's soundscape.
Released as a joint effort by Ultraääni Records and Puro Recordings, this limited LP pressing is a testament to Gustav's dedication to organic, soulful music-making. Ad Hoc is an invitation to dive into the raw, unpolished beauty of music made in the moment—mistakes and all.
Read more ... Bandcamp
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Out There (Original Television Soundtrack)
PATRICK JONNSON
Released 17 January 2025
****-
Jonsson's compositions creep into your psyche like a stealthy intruder, blending orchestral swells with electronic whispers. It's the kind of music that likely makes you glance over your shoulder.
Patrick Jonsson is a Swedish-born, London-based composer renowned for his emotive film scores. His work includes the Academy Award-winning documentary The White Helmets (2016), earning him a Primetime Emmy nomination.
Out There is a 2025 ITV thriller mini-series starring Martin Clunes, directed by Marc Evans and Philippa Langdale. The narrative follows a farmer confronting dark forces infiltrating his rural community, leading to an investigation into a county lines drug cartel.
Jonsson's score adeptly mirrors the series' narrative arcs, with compositions like "Raid" and "Drone Chase" heightening suspense during pivotal moments.
The closing piece, "Gravity (Reprise)," revisits the main theme, providing a cohesive conclusion to the musical journey.
Read more ... Patrick Jonsson
City of Dreams (Original Motion Picture Soundtrack)
LISA GERRARD, BENNETT SALVAY
Released 1 November 2024
****-
Gerrard's ethereal vocals meet Salvay's cinematic orchestrations, crafting an auditory journey as gripping as the film's plot.
Lisa Gerrard is an Australian composer and vocalist renowned for her profound, ethereal voice and emotive compositions. She gained prominence as a co-founder of the group Dead Can Dance and has since crafted evocative film scores, including those for Gladiator and The Insider.
Bennett Salvay is an American composer and musician celebrated for his dynamic film and television scores. His diverse portfolio includes music for Jeepers Creepers, Friday Night Lights, and Fuller House, blending orchestral grandeur with contemporary rhythms to enhance visual storytelling.
City of Dreams is the original soundtrack for the film directed by Mohit Ramchandani.
The film's narrative follows Jesús, a young Mexican boy whose aspirations of becoming a soccer star are derailed when he is trafficked and sold into a Los Angeles sweatshop. The soundtrack mirrors this harrowing journey, blending Gerrard's haunting vocals with Salvay's orchestral arrangements to evoke themes of suffering, resilience, and hope.
Read more ... Lisa Gerrard