THE WORLD'S BEST NEW ALBUMS: UPDATED DAILY
CURATED BY HAND - NOT BY ALGORITHM
WORLD TOUR #12 INDONESIA - MEDIA PLAYERS
World Tour #12 - Indonesia
WORLD TOUR #12 INDONESIA - ALBUMS
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Vajranala
SENYAWA
Released 14 June 2024
*****
In a blazing alchemical ritual, Senyawa melt tradition, metal, and myth into a single searing vision of post-human Indonesia.
Senyawa is an experimental duo from Yogyakarta, Indonesia, comprising vocalist Rully Shabara and instrument builder Wukir Suryadi. Their music fuses traditional Indonesian elements with avant-garde sensibilities, creating a sound that is both rooted and exploratory. Shabara's dynamic vocal techniques, ranging from guttural chants to ethereal melodies, intertwine with Suryadi's handcrafted instruments, notably the bambuwakir—a unique percussive and stringed creation. Together, they craft immersive sonic experiences that delve into themes of nature, spirituality, and societal structures. Senyawa's work challenges conventional boundaries, positioning them as pivotal figures in the global experimental music scene.
In Vajranala, Senyawa embarks on an auditory journey that intertwines mythology, ritual, and the elemental forces of nature. The album unfolds over six tracks: "Alnilam," "Vajranala," "Kaca Benggala," "Kaca Benggala II," "Vajranala II," and "Hikmah." Each piece serves as a chapter in a narrative exploring how natural phenomena have historically influenced societal structures and knowledge systems.
"Alnilam" sets the tone with celestial motifs, referencing the central star of Orion's Belt, symbolizing cosmic alignment. The title track, "Vajranala," delves into fiery energies, possibly alluding to the sacred Pawon Temple's alignment with astronomical patterns. "Kaca Benggala" and its sequel reflect on introspection and the human psyche, drawing parallels between ancient wisdom and contemporary consciousness. "Vajranala II" revisits earlier themes with intensified fervor, while "Hikmah" concludes the album, offering insights and reflections.
Boomkat
Musically, the album is a tapestry of raw vocals, intricate rhythms, and unconventional instrumentation. Shabara's voice oscillates between haunting whispers and powerful chants, complemented by Suryadi's innovative use of the bambuwakir, producing sounds that are both primal and otherworldly. The duo's synergy creates an atmosphere that is simultaneously meditative and intense, inviting listeners to engage deeply with the material.
Vajranala is not just an album; it's an exploration of the symbiotic relationship between humanity and the cosmos, urging a reconnection with ancestral knowledge and the natural world.
Read more ... Bandcamp
Puraka
BOTTLESMOKER
Released 20 October 2023
YHV Records
*****
Bottlesmoker craft an eco-digital dreamscape where bamboo breathes, pixels shimmer, and nature sings in circuital harmony.
Bottlesmoker is an Indonesian electronic duo from Bandung, comprising Anggung Suherman (Angkuy) and Ryan Nobie Adzani (Nobie). Known for their innovative use of toy instruments and custom-built equipment, they craft a distinctive sound that blends electronic music with traditional Indonesian elements. Their work often explores themes of nature, spirituality, and cultural heritage, aiming to bridge the gap between modernity and tradition. Through their music, Bottlesmoker seeks to convey messages rooted in ancestral wisdom, fostering a deeper connection between listeners and the natural world.
Puraka, Bottlesmoker's sixth album, is a profound exploration of the symbiotic relationship between humans and nature. The title, derived from Sanskrit, means "to breathe," symbolizing both the literal act of breathing and the metaphorical need to reconnect with our environment. Spanning 11 tracks, the album serves as a musical conduit for ancestral messages, blending electronic sounds with traditional Indonesian musical elements.
The album opens with "Free Metrum," setting a contemplative tone that invites listeners into a meditative state. Tracks like "Tortuga II" delve into themes of environmental degradation, using rhythms inspired by East Indonesian percussion to evoke a sense of urgency and reverence for nature . "Entheogen (Storm)" stands out as a pivotal piece, drawing inspiration from psychoactive substances used in spiritual rituals, and reflecting on altered states of consciousness as a means to achieve deeper understanding .
Throughout Puraka, Bottlesmoker masterfully intertwines modern electronic music with indigenous sounds, creating a tapestry that is both innovative and deeply rooted in cultural tradition. The album not only showcases their musical evolution but also serves as a poignant reminder of the importance of preserving our natural world and the wisdom of our ancestors.
Read more ... Bandcamp
Hamba Jaring Cahaya,
Hamba Bela Gelapnya
TASHOORA
Released 30 October 2019
Juni Records, Nadarama Recording
*****
Tashoora ignite orchestral pop with poetic fury, refusing to dim their light or deny the dark that shapes it.
Tashoora is a Yogyakarta-based band formed in 2016, comprising Danang Joedodarmo (guitar, vocals), Gusti Arirang (bass, vocals), and Dita Permatas (accordion, vocals). Their music blends orchestral rock with Indonesian folk elements, creating a distinctive sound that serves as a vessel for potent social commentary. Known for addressing sensitive issues such as sexual violence, religious intolerance, and gender discrimination, Tashoora's work challenges societal norms and encourages critical reflection. Their debut album, Hamba Jaring Cahaya, Hamba Bela Gelapnya, exemplifies their commitment to using music as a platform for advocacy and change.
Hamba Jaring Cahaya, Hamba Bela Gelapnya is Tashoora's compelling debut album, featuring nine tracks that confront pressing social issues in Indonesia. The album includes both new compositions and reimagined versions of earlier works, enriched through collaborations with artists like .Feast, Gardika Gigih, Kuaetnika, Rubah di Selatan, and Mustache and Beard .
Each song delves into specific societal concerns. "Agni" addresses a high-profile sexual assault case at a prominent university, highlighting institutional failures in protecting victims . "Terang," featuring .Feast, critiques the misuse of blasphemy laws for political gain, referencing the controversial case of former Jakarta governor Basuki Tjahaja Purnama . Other tracks explore themes of moral decay, religious discrimination, and gender-based violence, offering a raw and unflinching look at societal injustices.
Musically, the album fuses orchestral arrangements with traditional Indonesian instruments, creating a rich tapestry that underscores the gravity of the lyrics. Tashoora's fearless approach to songwriting transforms Hamba Jaring Cahaya, Hamba Bela Gelapnya into more than just an album—it's a resonant call to awareness and action, urging listeners to confront uncomfortable truths and advocate for change.
Read more ... Juni Records
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2020
WHITE SHOES & THE COUPLES COMPANY
Released 1 February 2021
****-
White Shoes return with a celluloid swirl of retro pop reveries, stylish as ever but deeper in mood and meaning.
White Shoes & The Couples Company (WSATCC) is a Jakarta-based ensemble renowned for their unique blend of Indonesian pop, jazz, and 1960s cinematic soundscapes.
Formed in 2002, the band comprises Aprilia Apsari (vocals), Yusmario Farabi (guitar), Saleh Husein (guitar), Ricky Surya Virgana (bass, cello), Aprimela Prawidiyanti (keyboard, viola), and John Navid (drums, vibraphone). Their music pays homage to Indonesia's musical heritage while infusing it with contemporary flair, creating a nostalgic yet fresh auditory experience. WSATCC's commitment to analog recording techniques and vintage aesthetics has solidified their status as torchbearers of Indonesia's retro pop revival.
After a decade-long hiatus since their 2010 album Vakansi, 2020 is a meticulously crafted collection that serves as both a homage to and evolution of their signature sound.
2020 unfolds like a cinematic journey, each track evoking scenes from an imagined film. "Rumah" sets a contemplative tone, while "Irama Cita" infuses bossa nova rhythms with Indonesian melodies. "Folklor" and "Variasi Barongko" delve into traditional sounds, showcasing the band's dedication to cultural preservation. The album's production, characterized by analog warmth and intricate arrangements, envelops listeners in a rich tapestry of sound.
Notably, 2020 was released in a limited-edition physical format, accompanied by a 60-page photobook and a B-sides CD, emphasizing the band's commitment to tangible artistry in an increasingly digital age. This also choice reflects WSATCC's ethos of creating immersive, multisensory experiences.
In 2020, White Shoes & The Couples Company masterfully bridge the past and present, delivering an album that is both a nostalgic reverie and a contemporary statement. It's a testament to their enduring artistry and a celebration of Indonesia's rich musical tapestry.
Read more ... WSATTC
Rimpang
EFEK RUMAH KACA
Released 27 January 2023
Idiiw Records
****-
Digging below the surface, Efek Rumah Kaca finds resistance, memory, and meaning in the roots we tend to forget.
Efek Rumah Kaca (ERK), formed in Jakarta in 2001, is a seminal force in Indonesia's indie rock scene. Known for their introspective lyrics and socially conscious themes, the band has consistently pushed musical boundaries.
Their lineup includes Cholil Mahmud (vocals, guitar), Akbar Bagus Sudibyo (drums), Poppie Airil (bass), and Reza Ryan (guitar, keyboards). ERK's discography reflects a commitment to addressing pressing societal issues, blending poetic lyricism with innovative soundscapes. Their music resonates with listeners seeking depth and authenticity in contemporary Indonesian music
Rimpang marks Efek Rumah Kaca's fourth studio album, arriving eight years after their previous release, Sinestesia. The album's title, meaning "rhizome," symbolizes underground growth and interconnectedness, reflecting the band's exploration of hidden societal narratives. The album delves into themes of resistance, identity, and collective memory.
Musically, Rimpang showcases ERK's evolution, blending indie rock with experimental elements. The band's lineup changes, notably the absence of founding member Adrian Yunan and the addition of Poppie Airil and Reza Ryan, contribute to a refreshed sonic palette. Tracks like "Heroik" and "Ternak Digembala" exemplify the band's continued commitment to social commentary, addressing issues ranging from environmental degradation to political activism. The album's production emphasizes layered instrumentation and nuanced arrangements, creating an immersive listening experience.
Rimpang continues Efek Rumah Kaca's enduring relevance and artistic growth. By intertwining personal narratives with broader societal concerns, the album invites listeners to reflect on the complexities of contemporary life in Indonesia. It's a compelling addition to ERK's discography, reaffirming their position as thoughtful commentators and innovators in the indie music landscape.
Read more ... ERK
Patterns (EP)
ALI
Released 21 February 2025
Ali
****-
A hypnotic tapestry of Middle Eastern grooves, Southeast Asian psychedelia, and funk-laced rhythms
Ali is a Jakarta-based trio known for their genre-blending sound that fuses Middle Eastern musical influences with the vibrant grooves of funk, disco, Afrobeat, and the psychedelic hues of Indonesian/Malay soundscapes. Their music is characterized by instrumental-heavy compositions featuring sweet basslines, transportive guitars, and hypnotic rhythms. Building on the narrative of their previous album, Malaka, Ali continues to explore and expand their unique sonic identity.only ecstatic cycles of becoming.
Patterns is a six-track EP that showcases Ali's continued exploration of global musical landscapes. It opens with "Pulse", an energetic rhythm that sets the tone for the journey ahead. "Orient" follows, weaving Middle Eastern melodies with funk-infused grooves. "Al Janoub," featuring Arabic lyrics, transports listeners to the southern regions, echoing the song's title. "Blue Lotus" offers a more meditative experience, blending psychedelic elements with traditional sounds. "Moon Phase" continues this introspective mood, leading into the final track, "Shaman's Walk," which combines rhythmic percussion with mystical overtones.
Throughout Patterns, Ali demonstrates their ability to blend diverse musical traditions into a cohesive and engaging listening experience. The EP stands as a testament to their innovative approach to music-making, offering listeners a rich tapestry of sounds that transcend geographical boundaries
Read more ... Bandcamp
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Ceases
RAMA PAWATA
Released 26 April 2024
****-
Rama Parwata channels spiritual jazz and experimental electronics into a meditative exploration of impermanence and transformation.
Rama Parwata is a Naarm-Melbourne based musician, composer, curator, and sound artist. He has a distinguished reputation for audacious and technical aural explorations in sound, texture and rhythm on the drum-kit, drawing influence from Jazz, Extreme Metal, and Gamelan music from his Balinese and Indonesian heritage. He is also known for his dynamic drumming in bands such as Kilat, Whitehorse, and Rinuwat. Venturing into solo territory, Parwata delves into electro-acoustic compositions that blur the lines between rhythm and noise, structure and chaos. His work is characterized by a profound exploration of impermanence and transformation, weaving intricate textures that evoke both spiritual and avant-garde sensibilities. Parwata's approach is both emotive and experimental, positioning him as a distinctive voice in contemporary sound art.
Ceases marks Rama Parwata's second major solo endeavor, presenting a compelling fusion of post-free-jazz and experimental electronics. Comprising six tracks, the album navigates the liminal spaces between rhythm and noise, structure and chaos, reflecting on themes of impermanence and the cyclical nature of existence. Parwata's percussion work is cymbal-heavy, complemented by meditative drones and slow-moving melodies that evoke a spiritual ambiance reminiscent of Coltrane's "A Love Supreme Part 4: Psalm," yet infused with a modern electronic vision akin to Canadian electronic musician, producer, composer, and sound artist, Tim Hecker.
The album's textural intricacy is evident in its complex poly-textures that ebb and flow with hypnotic, prayer-like intensity. Parwata seamlessly integrates a diverse array of electronic elements—pulsating synthesizers, glitched-out samples—blurring the boundaries between organic and synthetic, acoustic and digital. This acousmatic composition approach results in a soundscape that is both celestial and otherworldly.
Ceases stands as a testament to Parwata's capacity for emotional expression through electro-acoustic composition, offering listeners a visceral journey through a richly layered sonic framework.
Read more ... Rama Parwata
Wulansih
PENI CANDRA WINI
Released 27 January 2023
Idiiw Records
****-
Peni Candra Rini conjures an otherworldly soundscape where Javanese tradition meets avant-garde experimentation.
Peni Candra Rini is an Indonesian composer, vocalist, and educator whose work bridges the realms of traditional Javanese music and contemporary experimental sound. A lecturer in the Department of Karawitan at the Indonesian Institute of the Arts, Rini's practice encompasses a wide range of styles, from classical gamelan to avant-garde compositions. Her collaborations with international artists and ensembles, including the Kronos Quartet, have garnered acclaim, with David Harrington of Kronos Quartet describing her as “one of the world's greatest singers.” Rini's music is deeply rooted in Javanese culture, drawing inspiration from Sufi poetry, Wayang Kulit (Indonesian shadow puppetry), and the Serat tradition of Central Javanese court literature.
Through the innovative fusion of traditional Indonesian music with experimental elements, Wulansih serves as a sonic tapestry weaving together diverse musical traditions. Rini integrates traditional Javanese gamelan singing, Balinese chant, 1960s stringband music, and intercultural improvisations, creating a unique soundscape that defies categorization.
The album features collaborations with artists such as Andy McGraw, Lester St. Louis, Shahzad Ismaily, John Priestley, and Curt Sydnor, among others, contributing to its rich and varied textures.
Thematically, Wulansih delves into concepts of love, spirituality, and human connection, drawing heavily from Javanese Sufism and the poetry of Rumi and Hafez. Tracks like "Estu" explore the idea of love as a sacrifice, requiring commitment and sincerity, while "Warasih" emphasizes teaching love through understanding and sincerity across generations.
The production, led by Shahzad Ismaily at New York's Figure 8 Recording, employs experimental ensembles and instruments, resulting in an album that is both deeply rooted in tradition and boldly innovative. Rini's wide vocal range, combined with the album's lush instrumentation, creates an immersive listening experience that invites introspection and emotional resonance.
Read more ... Bandcamp
Digital Indigenous 06
Njondhal Njondhil
BAGUS SHIDQI
Released 3 April 2024
1000 HZ
****-
Bagus Shidqi electrifies Javanese tradition with a MIDI-powered gamelan that dances, dazzles, and defies expectations.
Bagus Shidqi is a young Indonesian composer and producer from Java who reimagines traditional folk music through digital means. Operating from his home studio, he employs virtual instruments to craft intricate arrangements that blend gamelan textures with modern electronic sensibilities. His work often draws inspiration from Jathilan, a traditional Javanese horse dance, and aims to make these cultural expressions accessible to contemporary audiences. Shidqi's innovative approach has attracted international attention, positioning him as a key figure in the evolution of digital gamelan music.
Shidqi's compositions are deeply rooted in the rhythms and melodies of gamelan music, yet they are rendered entirely through virtual instruments. This approach results in a sound that is both authentic and innovative, preserving the essence of traditional music while introducing it to new sonic landscapes. Tracks like "Budhalan Njondhil" capture the energy of Jathilan performances, while "Mampir Ngombe" offers a reflective moment, likening life's bittersweet experiences to a cup of coffee.
Critics have praised Njondhil Njondhal for its heartfelt execution and commitment to cultural preservation. PopMatters notes that the album is "full of heart and belief in keeping gamelan vibrant and available to contemporary practitioners and audiences." By embracing digital tools, Shidqi opens new avenues for traditional music, ensuring its relevance and resonance in the modern era.
Read more ... Bandcamp
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Primasuara
VARIOUS ARTISTS
Released 10 June 2024
****-
Indonesia's jazz vanguard steps into the spotlight with a genre-blurring compilation that grooves, glows, and surprises.
Primasuara is a curated showcase of Indonesia's contemporary jazz innovators, assembled by Daniel Adisumarta and released by Jakarta-based La Munai Records. The compilation features a diverse array of artists—including Batavia Collective, We Are Neurotic, Littlefingers, and Komang—who are redefining the nation's jazz landscape. These musicians blend traditional Indonesian elements with modern genres like nu-jazz, funk, and electronic music, reflecting the country's rich cultural tapestry and its evolving musical identity. Primasuara serves as both a celebration and a documentation of Indonesia's dynamic jazz scene.
Released on June 10, 2024, Primasuara is an 11-track compilation that captures the essence of Indonesia's modern jazz movement. The album opens with "Kimberly" by Kevin Suwandhi & Kanhaiya, a track that melds classical sensibilities with infectious grooves. Moon Pedestrian's "Nothingness" follows, offering high-energy fusion that sets the tone for the compilation. Batavia Collective's "Kenny’s Groove" and We Are Neurotic's "Couture" showcase tight arrangements and innovative rhythms, while Celetre's "Mindspiel" provides a more introspective experience.
The second half of the album continues to impress. Gold Plate Pipers' "Radiance" and the collaborative "Lunchbreak Session" by Kenny Gabriel, Rafi Muhammad, Taufan Wirzon, Dennis Junio, and Zakari Danubrata highlight the ensemble's chemistry and technical prowess. Littlefingers' "Everything Starts Here" and Komang's "Mango Tree Replant" add soulful depth, while Greybox's "Holmwood" and Tommy Pratomo's "Astramaya Arsa" close the album with atmospheric flair.
Primasuara is more than a compilation; it's a statement of Indonesia's place in the global jazz conversation. By blending traditional motifs with contemporary sounds, the album offers a fresh perspective on jazz, making it a must-listen for enthusiasts and newcomers alike
Read more ... Bandcamp
Unheard Indonesia 17
Seni Reak Juara Putra
ARRINGTON DE DIONYSO, JUARTA PUTRA
Released 21 November 2024
Pine Cone Alley
****-
Traditional trance meets avant-garde improvisation in a raw, ecstatic collaboration between Juarta Putra and Arrington de Dionyso.
Juarta Putra is a renowned traditional arts group from Cileunyi, Bandung, Indonesia, specializing in Seni Reak—a Sundanese performance art that fuses music, dance, and trance rituals. Established in 1930, the group has preserved this cultural heritage through generations, incorporating instruments like dogdog, bedug, kecrek, tarompét, and angklung buncis. Their performances often feature kawih (traditional songs) and dynamic interactions between musicians and dancers, including barong and kuda lumping acts. In recent years, Juarta Putra has expanded their reach internationally, performing in countries such as Denmark, the Netherlands, and Norway. Their collaboration with American experimental musician Arrington de Dionyso, known for his work in trance-punk and Indonesian-inspired music, represents a fusion of traditional and contemporary artistic expressions.
The album captures the electrifying synergy between traditional Sundanese Reak and avant-garde improvisation. The opening track, recorded during a rehearsal at Kios Ojo Keos in Jakarta, sets the stage with a 16-minute immersion into the collaborative energy of the artists. The subsequent tracks, recorded at Juarta Putra's community center in Jatinangor, delve deeper into the fusion of traditional rhythms and experimental sounds. Dionyso's contributions, characterized by multiphonic vocal techniques and minimalist instrumentation, interweave seamlessly with Juarta Putra's percussive textures and melodic structures. The result is a sonic tapestry that is both grounded in cultural tradition and exploratory in its artistic reach.
This collaboration not only preserves the essence of Seni Reak but also reimagines it, inviting listeners into a space where the past and present coalesce. It's a testament to the transformative power of cross-cultural artistic endeavors.
For a visual glimpse into their performances, you can watch their sessions on YouTube:
Read more ... Bandcamp
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Padang Moonrise - The Birth of the Modern Indonesian Recording Industry (1955-69)
VARIOUS ARTISTS
Released 25 November 2022
Soundway Records
****-
An intoxicating journey through Indonesia's mid-century musical renaissance, where tradition meets the modern beat.
Padang Moonrise: The Birth of the Modern Indonesian Recording Industry (1955–69) is a meticulously curated compilation by Soundway Records, released on November 25, 2022. This collection illuminates the transformative era of Indonesia's music scene, capturing the fusion of traditional sounds with contemporary influences as the nation forged its post-colonial identity. Featuring 27 tracks from pioneering artists like Orkes Teruna Ria, Zaenal Combo, and Ivo Nilakreshna, the album showcases the rich tapestry of genres that emerged during this period, reflecting the country's diverse cultural landscape.
Padang Moonrise serves as a sonic time capsule, transporting listeners to a pivotal period in Indonesia's musical evolution. The compilation captures the essence of a nation embracing modernity while honoring its rich cultural heritage. Tracks like Orkes Teruna Ria's "Bulan Dagoan" and Zaenal Combo's "Tandung Tjina" exemplify the seamless blend of traditional melodies with contemporary arrangements.
The album's strength lies in its diversity, presenting a mosaic of sounds that range from the melancholic strains of Mus D.S.'s "Neleng Neng Kung" to the upbeat rhythms of Yanti Bersaudara's "Gumbira." Each track offers a glimpse into the regional nuances and the innovative spirit that defined this era.
The album's strength lies in its diversity, presenting a mosaic of sounds that range from the melancholic strains of Mus D.S.'s "Neleng Neng Kung" to the upbeat rhythms of Yanti Bersaudara's "Gumbira." Each track offers a glimpse into the regional nuances and the innovative spirit that defined this era.
Read more ... Soundway Records
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Anglayang
GAMALAN DANANDA
Released 11 February 2025
****-
Balinese bronze meets Melbourne jazz in a radiant fusion that dances between tradition and innovation.
Gamelan DanAnda is a Melbourne-based Balinese gamelan ensemble dedicated to preserving and innovating traditional Indonesian music. Their collaboration with electro-jazz fusion group Firetail culminated in the album Anglayang, released on February 12, 2025. This project, initiated by the late Zulya Kamalova of The Boite, explores the intersection of Balinese gamelan and contemporary jazz, reflecting Australia's multicultural musical landscape. The ensemble's commitment to cultural exchange and musical exploration positions them at the forefront of cross-cultural collaborations in the Australian music scene.
Anglayang seamlessly blends the intricate rhythms of Balinese gamelan with the improvisational elements of jazz fusion.
The album opens with "Lelasan Galak," introducing listeners to the harmonious interplay between traditional gamelan instruments and modern jazz elements. "Nglayang" stands out with its dynamic structure, starting with energetic drumming and transitioning into a spacey section featuring melismatic vocals by Ria Soemardjo and a bass solo by Jamie McElhinney. The track then regains momentum, showcasing the adaptability of Firetail as they incorporate interlocking gamelan rhythms into their instrumentation.
Critics have praised Anglayang for its enchanting fusion of sounds. Backseat Mafia described the album as "an absolutely enchanting fusion of modern western jazz music with the traditional gentle sounds of Bali," highlighting the seamless integration of jazz fusion and electronica with the ethereal tones of the gamelan orchestra.
Recorded on and featuring field recordings from Wadawurrung land, Anglayang is a musical collaboration and tribute to the rich cultural tapestry of Australia. The album stands as a testament to the possibilities that arise when diverse musical traditions converge, offering listeners a unique and immersive auditory experience
Read more ... Bandcamp
8
ANGGUN
Released 8 December 2017
AprilEarth
****-
Anggun's eighth album offers polished pop with moments of introspection, though it occasionally plays it safe.
Anggun Cipta Sasmi, known mononymously as Anggun, is an Indonesian-French singer-songwriter who gained international acclaim with her 1997 hit "Snow on the Sahara". Born in Jakarta, she began her career in Indonesia before relocating to Europe to pursue international opportunities. Notably, Anggun took French nationality 15 years ago, and is currently the world’s most-played French-language singer, making her one of France’s finest musical exports of the decade.
Over the years, Anggun has released albums in multiple languages, blending Eastern and Western musical influences. Her versatility has earned her recognition not only as a musician but also as a cultural ambassador and television personality, notably serving as a judge on "Asia's Got Talent."
"8" marks Anggun's return to English-language pop, her first such album without a corresponding French version. The ten-track collection showcases her signature blend of emotive vocals and polished production. Opening with "No Promises," the album sets a contemporary tone, weaving in modern pop elements. The lead single, "What We Remember," stands out with its breezy melody and reflective lyrics, earning a spot on the Billboard Dance Club Songs chart. Tracks like "Inhuman" and "Forget Her" delve into themes of vulnerability and resilience, while "The Good Is Back" offers a poignant narrative of personal growth.
While 8 delivers moments of introspection and showcases Anggun's vocal prowess, some critics feel it leans heavily on current pop trends, occasionally at the expense of the unique fusion that characterized her earlier work. Nonetheless, the album reflects Anggun's adaptability and her continued relevance in the evolving music landscape.
Read more ... Anggun
True Love
TOHPATI
Released 9 December 2022
Tohpati Records
****-
Tohpati's 'True Love' serenades with soulful strings and jazz-infused warmth.
Tohpati Ario Hutomo, known professionally as Tohpati, is an acclaimed Indonesian guitarist celebrated for his versatility across genres like jazz fusion, progressive rock, and traditional Indonesian music.
Born in Jakarta in 1971, he gained prominence through collaborations with bands such as simakDialog and his own ensembles, Tohpati Bertiga and Tohpati Ethnomission. With a career spanning over three decades, Tohpati has consistently pushed musical boundaries, blending intricate guitar work with diverse cultural influences to create a unique sonic tapestry.
True Love is a showcase for Tohpati's mastery in crafting emotive instrumental narratives. The nine-track album weaves a rich tapestry of jazz-infused melodies and heartfelt compositions.
The album opens with the titular track, "True Love," setting a tone of introspective warmth. "Magical Journey" and "Rindu" follow, each offering intricate guitar work that evokes a sense of longing and nostalgia. "Masa Kecil" (Childhood) and "Whisper of the Forest" transport listeners through serene landscapes, while "Rainy Days" captures the melancholic beauty of overcast moments. "Smile" and "Unconditional Love" exude optimism, culminating in "Sidewalk Stories," which closes the album with a reflective ambiance.
Throughout True Love, Tohpati's guitar serves as the primary storyteller, conveying a spectrum of emotions without the need for lyrics. The album's cohesive flow and melodic richness make it a compelling listen for both jazz aficionados and newcomers alike.
Read more ... Tohpati
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Detourn
THE SIGIT
Released 21 March 2013
****-
The SIGIT's 'Detourn' elevates their rock prowess with experimental flair and refined artistry.
The Super Insurgent Group of Intemperance Talent, or The SIGIT, is a rock band from Bandung, Indonesia, known for their dynamic fusion of classic rock, garage, and psychedelic influences. Formed in the early 2000s, the quartet—Rekti Yoewono (vocals, guitar), Farri Icksan Wibisana (guitar), Aditya Bagja Mulyana (bass), and Donar Armando Ekana (drums)—gained prominence with their debut album Visible Idea of Perfection in 2007. Their energetic performances and authentic sound have solidified their status as a leading force in Indonesia's rock scene.
Detourn marked The SIGIT's much-anticipated return after a six-year hiatus since their debut. This sophomore album showcases the band's evolution, blending their signature rock foundation with experimental elements that highlight their musical maturity.
The album opens with "Détourné," featuring haunting church-like sounds that transition into rapid riffs, setting an intense tone. "Let the Right One In," the lead single, retains the raw energy reminiscent of their earlier work, while "Tired Eyes" delves into a more melancholic atmosphere, enriched by Metallica-inspired guitar melodies and a captivating solo by Farri Icksan. The closing track, "Conundrum," stands out with its intricate layering and panning effects, drawing listeners into a profound auditory experience.
Detourn was well received for its cohesive yet diverse soundscape. The album was named the best album of 2013 by Rolling Stone Indonesia, reflecting its impact on the local music scene. The SIGIT's willingness to experiment with new instruments, such as the saxophone in "Détourné," demonstrates their commitment to pushing creative boundaries while maintaining their rock roots.
In comparison to their debut, Visible Idea of Perfection, Detourn presents a more polished and exploratory approach, signaling an evolvotion, without losing the essence that initially captivated their audience.
Read more ... Bandcamp
Membangun & Menghancurkan
.FEAST
Released 30 August 2024
Sun Eater
****-
Feast's 'Membangun & Menghancurkan' rebuilds their sound with introspective depth and sonic evolution.
.Feast is an Indonesian rock band known for their socially charged lyrics and dynamic soundscapes. Formed in Jakarta, the band comprises Baskara Putra (vocals), Adnan Satyanugraha (guitar), Dicky Renanda (guitar), and Fadli Fikriawan (bass). Over the years, .Feast has carved a niche in the Indonesian music scene with their thought-provoking themes and genre-blending compositions.
Membangun & Menghancurkan (Build & Destroy), .Feast's third studio album. is their first without drummer Adrianus Aristo Haryo (Ryo Bodat), who departed in 2023. This album signifies a pivotal transformation for the band, both in lineup and musical direction.
The album departf from their earlier politically charged narratives, delving instead into personal introspection and self-critique. Tracks like "Membangun" and "Menghancurkan" which bookend the album, symbolize themes of construction and deconstruction, both musically and thematically.
Songs such as "Nina," dedicated to Adnan's daughter, and "Arteri," reflecting on youthful escapades, highlight the band's shift towards more intimate storytelling.
Despite this introspective turn, .Feast doesn't abandon their critical edge entirely; tracks like "Politrik" and "5" retain their signature socio-political commentary.
The album's production involved a diverse array of 12 producers, including Enrico Octaviano, Giovanni Rahmadeva, Lafa Pratomo, Vega Antares, Iga Massardi, and Laleilmanino, contributing to its eclectic sound palette that spans hard rock, power pop, emo, alternative rock, slow rock, and grunge. This collaborative approach infuses each track with distinct textures while maintaining a cohesive narrative throughout.
Critics have noted the band's evolution, with Pophariini stating that within the first 15 minutes, listeners can appreciate the album's thematic strength and musicality, affirming .Feast's position as a leading rock unit in Indonesia . The album's introspective nature and sonic experimentation reflect the band's growth and willingness to explore new artistic territories.
Read more ... Wikipedia
Jalaran Sadrah
BARASUARA
Released 21 June 2024
Hu Shah Records
****-
Surrender as strength: Barasuara returns with cinematic rock and introspective clarity.
Barasuara is an Indonesian alternative rock band formed in 2012, consisting of vocalist/guitarist Iga Massardi, vocalists Asteriska and Puti Chitara, guitarist TJ Kusuma, bassist Gerald Situmorang, and drummer Marco Steffiano.
Known for their dynamic fusion of rock, traditional Indonesian music, and poetic lyrics, Barasuara has carved a distinct niche in the Indonesian music scene. Their previous albums, Taifun (2015) and Pikiran dan Perjalanan (2019), showcased their ability to blend energetic performances with profound lyrical themes.
Jalaran Sadrah is Barasuara's third studio album, marking a significant evolution in their musical journey. The title, derived from Javanese, translates to "because of surrender," encapsulating the album's overarching theme of acceptance and introspection. This nine-track album, spanning 42 minutes, delves into themes of life, death, and the human experience, reflecting the band's response to the challenges faced during the COVID-19 pandemic .
The album opens with "Antea," setting a contemplative tone that permeates the record. Tracks like "Merayakan Fana" and "Terbuang dalam Waktu" showcase the band's signature blend of rock and orchestral elements, the latter featuring arrangements by Erwin Gutawa and the Czech Symphony Orchestra . "Fatalis," which won the Best Rock Duo/Group/Collaboration at the 2023 AMI Awards, stands out with its poignant reflection on mortality .
Critics have praised Jalaran Sadrah for its cohesive narrative and refined musicality. A review on Album of The Year describes it as "a refined version of a rather disappointing effort in Pikiran & Perjalanan," highlighting the album's clarity and organization . Another review notes the album's luxurious arrangements and reflective nature, emphasizing its departure from the band's earlier, more energetic works .
Jalaran Sadrah signifies Barasuara's growth, embracing vulnerability and surrender as strengths. It's a testament to their ability to evolve while maintaining the essence that defines their music.
Read more ... Wikipedia
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Do The Math
INDRA LESMANA
Released 1 June 2023
****-
Indra Lesmana's ‘Do The Math’ calculates a bold leap into math rock’s cerebral groove.
Indra Lesmana is one of Indonesia’s most respected jazz musicians and producers, celebrated for decades of genre-crossing work from fusion and funk to orchestral and electronic projects. Born into a musical family (his father is jazz legend Jack Lesmana), he began recording professionally in the 1970s and built a global profile with albums like Children of Fantasy and For Earth and Heaven. Lesmana has also mentored generations of Indonesian artists and is known for his technical brilliance and sonic curiosity—traits that continue to drive his evolving sound.
Do The Math is Lesmana’s most unexpected and cerebral turn in years—an instrumental math rock record, released physically in 2023 and digitally in 2024. With bassist Ronal Adrian and drummer Ray Prasetya, Lesmana dives into a genre better known for its guitar bands than jazz piano virtuosos.
Math rock is built on irregular time signatures, sharp dynamic shifts, and complex rhythmic layering—think of it as post-rock’s more angular, puzzle-minded cousin. Here, Lesmana swaps bebop phrasing for digital crunch and odd-meter riffs, but his melodic sensibility never gets lost in the numbers.
Opener “The Classroom” clicks like clockwork, full of tight stops and interlocking motifs. “Galaxy Man” plays like Rush-meets-Weather Report, fusing cosmic synths and snaking basslines with tight polyrhythms. “Chasing Tail” swings in 7/8 time with playful elasticity, while “Simple Math” ironically deconstructs musical simplicity with twisting counterpoint.
What keeps this from becoming an academic exercise is Lesmana’s feel: despite the complexity, the trio grooves with clarity and flow. It’s a rare Indonesian math rock album that feels both technically daring and emotionally inviting—part tribute, part masterclass.
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Continuance
JOEY ALEXANDER
Released 30 August 2024
Sun Eater
****-
Joey Alexander's 'Continuance' marks a mature stride in jazz, blending original compositions with inventive reinterpretations.
Joey Alexander, a jazz pianist and composer from Bali, Indonesia, gained international acclaim as a child prodigy. Born in 2003, he began playing jazz at a young age and was invited by Wynton Marsalis to perform at Jazz at Lincoln Center at just 10 years old. Since then, Alexander has released several albums, showcasing his evolving artistry and deepening musical expression.
Continuance is Alexander's seventh studio album, reflecting his growth from prodigious talent to mature artist. The album features five original compositions and two reinterpretations: Bonnie Raitt's "I Can't Make You Love Me" and the hymn "Great Is Thy Faithfulness" .
Alexander is joined by his long-time touring band - Kris Funn on upright bass and John Davis on drums - and trumpeter Theo Croker contributes to four tracks. This ensemble brings a cohesive and dynamic energy to the album, blending intricate rhythms with emotive storytelling .
The opening track, "Blue," sets the tone with a staccato riff that evolves into a rhythmic groove, providing a canvas for Croker's fluid trumpet melody and Alexander's expressive piano solo. "Hear Me Now" introduces a different texture with the Mellotron's string sounds, augmenting Alexander's piano and bringing a classical flair to the jazz setting .
In his rendition of "I Can't Make You Love Me," Alexander showcases his sophisticated harmonic sensibilities, blending piano and Fender Rhodes to create a rich, emotionally resonant soundscape. This track exemplifies his skill in reinterpreting familiar tunes through a modern jazz lens .
Continuance reflects Alexander's journey as a composer and performer, highlighting his ability to convey complex emotions and narratives through music. The album stands as a testament to his continued evolution and dedication to the art of jazz.
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Dan Lalu
ANDIEN
Released 29 September 2023
Andien Music
****-
Dan Lalu finds Andien at her most introspective and sonically adventurous, weaving personal narratives with genre-defying melodies in a luminous tapestry of sound.
Andini Aisyah Hariadi, known mononymously as Andien, is a celebrated Indonesian singer whose career spans over two decades. Born on August 25, 1985, in Jakarta, Indonesia, she began her musical journey at a young age, showcasing her vocal talents in various competitions. Her debut album, Bisikan Hati, released in 2000, marked the beginning of a prolific career characterized by a fusion of jazz, pop, and traditional Indonesian music.
Throughout her career, Andien has been recognized for her distinctive voice and her ability to infuse contemporary music with traditional elements. Her subsequent albums, including Kinanti (2005), Kirana (2010), and Let It Be My Way (2014), demonstrate her versatility and commitment to musical exploration. She has collaborated with numerous artists and has been a prominent figure in Indonesia's jazz scene.
Beyond her musical endeavors, Andien is known for her advocacy in health and wellness, often sharing insights into her lifestyle and parenting. Her influence extends beyond music, making her a multifaceted public figure in Indonesia.
Dan Lalu delves into themes of self-reflection, growth, and the passage of time. Musically, it showcases a harmonious blend of jazz, pop, and traditional Indonesian sounds, creating a rich and immersive listening experience.
The production quality is impeccable, with each track thoughtfully arranged to highlight Andien's vocal prowess. Her emotive delivery brings depth to the lyrics, inviting listeners into her introspective world. The album's cohesiveness and thematic consistency make it a standout in her discography.
Read more ... Andien
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Detourn
THE SIGIT
Released 21 March 2013
****-
Reality Club Presents... The Show at Balai Sarbini offers a joyously theatrical indie-rock spectacle - equal parts emo nostalgia, choreographed fun, and millennial heartbreak therapy for the hopelessly self-aware.
Jakarta-based Reality Club emerged in 2016 with a mission to make sensitive indie rock that speaks to a generation raised on Tumblr quotes, Wes Anderson films, and late-night overthinking. Fronted by the effortlessly magnetic Fathia Izzati alongside co-founder Faiz Novascotia Saripudin, the band’s lineup has shifted, but their sound—a blend of melodic sincerity, crisp guitar work, and cinematic angst—remains unmistakable. With three studio albums (Never Get Better, What Do You Really Know?, and Reality Club Presents...), they’ve cultivated a loyal Indonesian fanbase and a growing international following. Equal parts confessional and performative, they thrive on stage, where their songs come alive.
Recorded at the plush Balai Sarbini concert hall, Reality Club Presents... The Show (Live) captures a band confident enough to stage its own rock cabaret—and charming enough to pull it off. This is no clumsy live cash-in; it’s an ornate, finely paced reimagining of their 2023 studio album, complete with swelling strings, piano interludes, dramatic lighting (we imagine), and the kind of polished spontaneity that only weeks of rehearsals can fake.
The live versions expand rather than merely repeat: “Dancing in the Breeze Alone” stretches into a theatrical waltz, while “You Let Her Go Again” becomes a gospel-tinged cry of resignation. Fan-favorite “I Wish I Was Your Joke” is greeted like a national anthem. A cameo from rapper Basboi on “The Rush Remix” spikes the emotional arc with adrenaline and comic relief.
Sonically, it’s crisp and well-engineered—no over-polished overdubs, just enough room ambience to make you want to shout along. This is a concert document for listeners who like their heartbreak set to choreography and their vulnerability in harmony.
Reality Club doesn’t just play a gig—they stage an existential musical. And, like all good musicals, you’ll leave humming the finale and questioning your life choices.
Read more ... Wikipedia
Live at The Sounds Project 2022
STARS AND RABBIT
Released 15 June 2023
Green Island Music
****-
Their live set captures the duo's whimsical indie-folk charm and theatrical flair, in a performance that's both intimate and grandiose.
Formed in Yogyakarta, Indonesia, in 2011, Stars and Rabbit is the brainchild of vocalist Elda Suryani and guitarist Didit Saad. Their music seamlessly blends indie-folk sensibilities with experimental nuances, creating a sound that's both ethereal and grounded. Over the years, they've garnered a dedicated following, both domestically and internationally, with albums like Constellation and Rainbow Aisle. Their live performances are renowned for their emotive intensity and theatrical elements, making each show a unique experience. After a hiatus due to the pandemic, their return to the stage at The Sounds Project 2022 marked a significant moment in their musical journey.
Recorded at the Allianz Eco Park in Jakarta, the album captures the duo's return to the stage after a prolonged hiatus, bringing with them a renewed energy and passion.
The setlist is a curated journey through their discography, featuring tracks like "Little Mischievous," "Illusory Utopia," and "Man Upon The Hill." Each song is delivered with a rawness that studio recordings often lack, highlighting Elda's emotive vocals and Didit's intricate guitar work. The live arrangements breathe new life into familiar tracks, offering fans a fresh perspective on beloved songs.
The audience's palpable enthusiasm adds another layer to the recording, making listeners feel as though they're part of the crowd. The production quality ensures that the essence of the live performance is preserved, capturing the nuances and spontaneity that define Stars and Rabbit's concerts.
In essence, Live at The Sounds Project 2022 is more than just a live album; it's a celebration of resilience, artistry, and the unbreakable bond between performers and their audience. For both longtime fans and newcomers, this album offers a captivating glimpse into the magic of Stars and Rabbit's live performances.
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A Tiny Bit Of Gold In The Dark Ocean
DHIRA BONGS
Released 23 September 2022
demajors
****-
A radiant indie-pop voyage - equal parts soulful confession, genre-blending adventure and a glittering ode to resilience and reinvention.
Born Nadhira Soraya Nasution in Jakarta in 1993, Dhira Bongs is an Indonesian singer-songwriter whose musical journey spans from punk and ska roots to refined indie-pop artistry. Her early exposure to diverse genres, from Barry White to death metal, shaped her eclectic sound. Since her debut album My Precious (2014), followed by Head Over Heels (2018), Dhira has captivated audiences with her emotive vocals and genre-defying compositions. Her third album, A Tiny Bit of Gold in the Dark Ocean (2022), released via Demajors, showcases her evolution, blending R&B, jazz, gospel, and Jamaican influences into a cohesive and heartfelt musical tapestry.
A Tiny Bit of Gold in the Dark Ocean weaves a rich tapestry of sounds, seamlessly blending indie-pop with R&B, jazz, gospel, and Jamaican rhythms.
The album opens with "Not an Ordinary Fairytale," featuring Murei, setting a whimsical yet introspective tone. Tracks like "Hell No," with rapper Yacko, and "Holiday Savvy," featuring Grace Sahertian, showcase Dhira's ability to collaborate across genres, infusing each song with distinct character.
"Make Me Fallin in Love Again," a standout track featuring Gotch of Asian Kung-Fu Generation, is a dreamy synth-pop number that highlights Dhira's knack for crafting infectious melodies. The album's closer, "Strugglin," offers a raw, emotive reflection on personal challenges, encapsulating the album's overarching theme of finding light amidst darkness.
Read more ... Wikipedia
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Detourn
THE SIGIT
Released 21 March 2013
****-
Melding gritty rock textures with heartfelt introspection - a bold evolution in his musical journey.
Pamungkas, born Rizky Pamungkas in Jakarta, Indonesia, is a multifaceted singer-songwriter and producer known for his emotive lyrics and genre-blending sound. Since his debut in 2018 with Walk the Talk, he has captivated audiences with albums like Solipsism and Birdy, showcasing a seamless fusion of pop, R&B, and electronic elements. His introspective songwriting and DIY approach have earned him a dedicated following. With Hardcore Romance, his fifth studio album released in August 2024, Pamungkas ventures into rock-infused territories, reflecting his continuous evolution as an artist unafraid to explore new sonic landscapes.
Reflecting on themes of love, self-reflection, and personal growth, Hardcore Romance signifies a daring shift in Pamungkas' musical repertoire, embracing a rock-oriented sound that diverges from his earlier pop and R&B influences.
The opening track, "One Bad Day," sets a somber tone with its melancholic melodies, while "Fight Some More" stands out as an anthem of resilience, encapsulating the album's core message of perseverance. Collaborations with songwriter Harry Budiman on "Putus" and "Riddle of the Night" add depth, blending Pamungkas' introspective lyrics with Budiman's seasoned songwriting.
Pamungkas' hands-on approach is evident throughout the album; he wrote, produced, and recorded most of the tracks himself, with mastering by Rhesa Aditya and drum contributions from his brother, Raden Rohan, on "Putus" . This personal involvement infuses the album with authenticity and a raw, unfiltered energy.
While some critics argue that the album's straightforward lyrics lack the complexity of his previous works, Hardcore Romance offers a fresh perspective, highlighting Pamungkas' willingness to evolve and experiment. It's a testament to his artistic growth, presenting a more rugged yet sincere facet of his musical identity.
Read more ... Wikipedia
Doves, '25 on Blank Canvas
HINDIA
Released 24 February 2025
Sun Eater
****-
A genre-defying mixtape that marries raw emotion with sonic experimentation, offering a poignant reflection on contemporary life.
Baskara Putra, known by his stage name Hindia, is an Indonesian singer-songwriter renowned for his introspective lyrics and innovative soundscapes. Emerging from the Jakarta music scene, he first gained prominence with the rock band .Feast before embarking on a solo career. His debut album, Menari dengan Bayangan (2019), showcased his ability to blend personal narratives with social commentary. Subsequent releases, including Lagipula Hidup Akan Berakhir (2023), further cemented his reputation as a voice of his generation. Hindia's music often traverses genres, incorporating elements of indie pop, electronic, and rock, reflecting his commitment to artistic evolution and authenticity.
Hindia’s latest mixtape comprises 16 tracks that delve deep into themes of grief, identity, and societal introspection. The mixtape serves as a spontaneous response to the events of late 2024, capturing the zeitgeist through a blend of guitar-driven melodies and electronic textures. Tracks like "Perseverance (in the face of grief)" and "Hated in the Nation" set a contemplative tone, while collaborations with artists such as White Chorus on "betty" and contributions from producers like Iga Massardi and Lafa Pratomo add depth and diversity to the soundscape.
Hindia's bilingual lyrics, oscillating between Indonesian and English, offer a raw and unfiltered glimpse into his psyche, making the mixtape feel both personal and universally relatable. The inclusion of tracks like "anak itu belum pulang" and "semua lagu cinta terdengar sama" further exemplify his ability to weave intricate narratives that resonate with listeners.
Read more ... Wikipedia
Untuk Dunia,
Cinta, dan Kotornya
NADIN AMIZAH
Released 13 October 2023
Sorai
****-
A luminous exploration of self-love and vulnerability, weaving poetic introspection with Indonesian folk-pop charm.
Nadin Amizah, affectionately dubbed "Ibu Peri" (Fairy Godmother) by fans, is an Indonesian singer-songwriter known for her ethereal vocals and introspective lyrics. Born in 2000, she gained prominence with her debut album Selamat Ulang Tahun (2020), which showcased her ability to blend personal narratives with poetic lyricism. Her music often delves into themes of self-discovery, love, and the complexities of womanhood, resonating deeply with a generation navigating similar journeys. With her sophomore album, Untuk Dunia, Cinta, dan Kotornya (2023), Nadin continues to evolve, offering a more mature and nuanced perspective on love and self-acceptance.
A significant evolution in Nadin Amizah's musical journey. This 11-track album delves into the intricate dance between self-love and the love received from others, suggesting that understanding oneself often begins through the lens of external affection.
The album opens with "Jangan Ditelan," a brief yet impactful introduction that sets the tone for the introspective journey ahead. Tracks like "Bunga Tidur" and "Rayuan Perempuan Gila" showcase Nadin's signature poetic lyricism, while "Ah" and "Semua Aku Dirayakan" highlight her growth in musical arrangement and thematic depth. The titular track, "Nadin Amizah," serves as a poignant self-reflection, encapsulating the album's core themes.
Musically, the album blends elements of Indonesian folk with contemporary pop, creating a soundscape that's both nostalgic and fresh. Nadin's collaboration with various producers adds layers of complexity to the album, enriching its sonic palette.
Untuk Dunia, Cinta, dan Kotornya is not just an album; it's a heartfelt narrative that invites listeners to embark on a journey of self-exploration and acceptance.
Read more ... Wikipedia
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Manusia
TULUS
Released 3 March 2022
****-
Marking a decade of musical introspection with a blend of soulful melodies and poignant reflections on the human experience.
Tulus, born Muhammad Tulus Rusydi in Bukittinggi, Indonesia, is a celebrated singer-songwriter known for his emotive vocals and thoughtful lyrics. Since his self-titled debut in 2011, he has captivated audiences with a blend of jazz, pop, and soul influences. His subsequent albums, Gajah (2014) and Monokrom (2016), solidified his place in the Indonesian music scene.
Tulus's music often delves into themes of love, identity, and societal observations, earning him critical acclaim and a dedicated fanbase.
With Manusia, his fourth studio album, Tulus continues to explore the complexities of human emotion and experience, commemorating a decade of his musical journey. The album ten tracks, each offering a window into the multifaceted human experience. From the nostalgic "Tujuh Belas" to the introspective "Diri," Tulus crafts a sonic tapestry that resonates with authenticity.
Musically, Manusia showcases a blend of urban pop, R&B, and city pop influences, enriched by the orchestral arrangements of the Budapest Scoring Symphony Orchestra and the expertise of producer Ari Renaldi. Tracks like "Remedi" and "Hati-Hati di Jalan" exemplify this fusion, marrying soulful melodies with intricate instrumentation.
The album's lyrical depth is evident in songs like "Ingkar" and "Jatuh Suka," where Tulus navigates themes of love, regret, and self-discovery. His ability to articulate complex emotions with simplicity and grace is a testament to his songwriting prowess.
Manusia not only achieved commercial success, topping Spotify Indonesia's charts and earning accolades at the Anugerah Musik Indonesia 2022, but also reaffirmed Tulus's position as a poignant storyteller in contemporary music.
Read more ... Wikipedia
ISYAN
ISYANA SARASVATI
Released 26 May 2023
Redrose Records
****-
A genre-defying odyssey, blending operatic grandeur with progressive rock to craft a deeply personal and sonically adventurous fourth album.
Isyana Sarasvati, born in Bandung, Indonesia, is a classically trained musician with a penchant for blending diverse genres. After studying at Singapore's Nanyang Academy of Fine Arts and London's Royal College of Music, she debuted with the pop-centric Explore! (2015). Over subsequent albums - Paradox (2017) and Lexicon (2019) - she transitioned towards more experimental sounds, incorporating elements of opera and progressive rock. In 2020, she established her own label, Redrose Records, seeking greater creative freedom.
Her fourth studio album, ISYANA (2023), epitomizes her evolution, showcasing a fearless fusion of styles and a commitment to authentic self-expression. This 11-track album traverses a sonic landscape that melds operatic vocals with the intensity of progressive rock and metal, reflecting her journey through personal growth and creative liberation.
Opening with "Intro: If I Can Turn Back Time," the album sets a contemplative tone before diving into the dynamic "my Mystery." Tracks like "IL SOGNO" and "mindblowing!" showcase her ability to intertwine classical motifs with modern rock elements, creating a sound that's both nostalgic and innovative. Collaborations with electronic duo Mantra Vutura and her husband, Rayhan Maditra, add layers of depth, particularly evident in "Home," a track that exudes a cinematic, almost Disney-esque
Critics have noted the album's intricate arrangements, with some pointing out moments where the dense instrumentation can overshadow certain elements. However, this complexity is also where ISYANA shines, offering listeners a rich tapestry of sounds that invite repeated exploration. The album's recognition at the 2023 Anugerah Musik Indonesia Awards, where it won Best of the Best Album, underscores its impact and Isyana's prowess as a boundary-pushing artist.
ISYANA is an immersive experience that challenges genre conventions and invites listeners into Isyana's multifaceted musical world.
Read more ... Wikipedia
Jalaran Sadrah
BARASUARA
Released 21 June 2024
Hu Shah Records
****-
A meditative journey through life's complexities: soulful melodies and introspective lyrics.
Kunto Aji, an Indonesian singer-songwriter from Yogyakarta, has carved a niche in the music scene with his emotive vocals and contemplative songwriting. After gaining recognition from a national singing competition, he released his debut album Generation Y (2015), followed by the critically acclaimed Mantra Mantra (2018), which delved into themes of self-reflection and mental health. Known for his genre-blending style that fuses pop, R&B, and traditional Indonesian elements, Kunto Aji's music resonates with listeners seeking depth and authenticity.
His third album, "Pengantar Purifikasi Pikir" (translated as "Introduction to the Purification of Thought") marks Kunto Aji's return after a five-year hiatus. This nine-track album serves as a contemplative guide, inviting listeners to embark on a journey of self-purification and introspection.
Opening with "Urip" (Life), a track that sets a reflective tone, Kunto Aji sings: "Hidup ini tak selalu indah" (Life is not always beautiful), signaling the start of an emotional journey that continues throughout the album. The track “Melepas Pelukan Ibu” (Releasing a Mother's Embrace) explores the bittersweet departure from home, with lyrics that evoke nostalgia and longing: "Ibu, maafkan aku pergi" (Mother, forgive me for leaving).
The fusion of traditional Indonesian sounds with contemporary arrangements creates a unique auditory experience. Songs like "Asimetris" (Asymmetric) present a blend of pop and traditional influences, while "Jernih" (Clear) exudes a sense of emotional release, with Kunto Aji singing, “Hati yang jernih, melihat dunia” (A clear heart, seeing the world).
The album culminates with “Urup” (Light), which brings the listener full circle in this meditative odyssey, tying together themes of clarity, emotional growth, and inner peace. Pengantar Purifikasi Pikir stands as a testament to Kunto Aji's growth as an artist, offering a nuanced and heartfelt exploration of the human experience.
Read more ... Wikipedia
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Tutur Batin
YURA YUNITA
Released 22 October 2021
****-
A heartfelt exploration of self-acceptance and resilience. Soulful melodies and poignant lyrics that empower listeners.
Yura Yunita, an Indonesian singer-songwriter from Bandung, has captivated audiences with her emotive vocals and introspective songwriting. Her musical journey began with her debut album Yura (2014), followed by Merakit (2018), which showcased her versatility across various genres. In her third studio album, Tutur Batin (2021), Yura delves into themes of self-love, vulnerability, and societal expectations. The album's title, translating to "Inner Voice," reflects her personal journey of embracing imperfections and finding strength in authenticity. With Tutur Batin, Yura continues to establish herself as a powerful voice in contemporary Indonesian music.
The album opens with "Dunia Tipu-Tipu" (Deceptive World), a track that sets the tone for the album's exploration of societal facades and personal authenticity. In "Duhai Sayang" (Oh, My Love), Yura reflects on the complexities of love and longing, while "Tenang" (Calm) offers a soothing anthem for finding peace amidst chaos. "Mulai Langkahmu" (Start Your Steps) serves as an empowering call to action, encouraging listeners to take bold steps toward their dreams. The title track, "Tutur Batin" (Inner Voice), encapsulates the album's essence, with lyrics that resonate deeply:
"How am I doing? I'm just fine.
A little amazed, but actually, I already guessed.
You who go here and there, you think I'm not enough.
All opportunities and my steps you try to close."
Musically, the album blends elements of pop, R&B, and traditional Indonesian sounds, creating a rich tapestry that complements its introspective themes.
Read more ... Wikipedia
Day By Day
MOCCA
Released 20 November 2020
My Diary Records
****-
A warm, hopeful soundtrack for uncertain times, blending indie pop charm with messages of resilience and optimism.
Formed in Bandung, Indonesia, in 1999, Mocca is a beloved indie pop quartet known for their retro-inspired sound, blending elements of swing, jazz, and 1960s pop. Fronted by vocalist and flautist Arina Ephipania, alongside Riko Prayitno (guitar), Toma Pratama (bass), and Indra Massad (drums), the band gained international acclaim with their debut album My Diary (2002). Over the years, Mocca has cultivated a dedicated fanbase across Asia, particularly in Japan and South Korea. Their sixth studio album, Day by Day (2020), marks a return to English-language lyrics and showcases their continued evolution while retaining their signature melodic warmth.
Crafted during the COVID-19 pandemic, the album reflects themes of hope, resilience, and navigating daily life amidst uncertainty.
The album opens with "Day by Day (Intro)," setting a contemplative tone that seamlessly transitions into "Brand New Day," an uplifting track encouraging fresh starts. "Love You on Tuesday" and "Simple I Love You" exude the band's characteristic sweetness, while "Everything Is Gonna Be Fine" serves as a reassuring anthem during challenging times.
A standout track, "There's a Light at the End of the Tunnel," features Rekti Yoewono of The S.I.G.I.T., introducing a rock-infused edge that complements the song's message of perseverance. The album concludes with "I Am Saving the World Today (Outro)," a brief yet poignant reminder of individual impact.
Throughout Day by Day, Mocca maintains their signature indie pop sound while exploring new musical territories. The album's cohesive narrative and melodic charm offer listeners comfort and optimism, reinforcing Mocca's enduring appeal in the indie music scene.
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The Singles & EP's
WANDOUR
Released 2019 - 2025
Resilien Records
****-
A discography that charts a luminous evolution from ambient introspection to dancefloor-ready euphoria, blending chill house, synth-pop, and disco-infused electronica.
Emerging from Jakarta's vibrant music scene, Wandour has carved a niche in the electronic landscape with his distinctive blend of chill house, synth-pop, and disco elements. His music, characterized by lush melodies and rhythmic grooves, offers listeners an immersive experience that transcends traditional genre boundaries. Since his debut with the Apriori EP in 2019, Wandour has consistently delivered tracks that resonate with both emotional depth and dancefloor energy, establishing himself as a dynamic force in contemporary electronic music.
Wandour's musical journey commenced with the Apriori EP (2019), a collection that introduced his penchant for ambient textures and introspective soundscapes. Tracks like "September in London" and "October in Helsinki" painted auditory portraits of urban landscapes, setting the stage for his evolving sound.
The release of "Effervescent" (2020) marked a transition towards more rhythmic explorations, blending melodic house elements with shimmering synths to create a nocturnal cityscape ambiance. "Golden Lights" (2023) further showcased Wandour's ability to fuse chill house with synth-pop sensibilities, delivering a track that evokes memories of sunsets and auroras. And with "Away" (2024) Wandour ventured into dreamy electronica, crafting a track that captures the essence of vibrant summer nights through crystalline riffs and captivating melodies. "Glow" (2024) brought classic disco house vibes to the forefront, wrapping listeners in a warm, rhythmic pulse that's both nostalgic and invigorating. "Higher" (2024) signaled a maturation in Wandour's sound, blending indie electronic and deep house elements to create a sonic journey that mirrors its titular ascent .
This progression culminates in his latest EP, "Iridescent Serenade" (2025), which offers a cohesive exploration of deep house with airy made-for-summer vibes .
Collectively, Wandour's discography reflects a dynamic evolution, seamlessly integrating diverse electronic subgenres to craft a sound that's both emotionally resonant and rhythmically compelling.
Read more ... Soundcloud
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The Singles & EP's
WHISNU SANTIKA
Released 2017 - 2025
****-
Whisnu Santika's Sonic Evolution: From Moombahton Roots to Global Dancefloor Anthems
Hailing from Jakarta, Whisnu Santika began his career as a DJ in 2012 before transitioning into music production in 2017. His early works, such as "Indonesia" and "Jungle Bash," introduced audiences to his unique blend of moombahton, dancehall, and bass music. Over the years, Santika has expanded his sonic palette, incorporating elements of trap, house, and Afrobeat into his productions. Collaborations with international artists like Liquid Silva and Cinta Laura Kiehl have further cemented his reputation as a versatile producer. Notably, his performance at Tomorrowland Belgium in 2024 marked a significant milestone in his burgeoning international career.
Whisnu Santika's adaptability and growth as an electronic music producer is evident from his discography. His debut single, "Indonesia" (2017), laid the foundation with its moombahton rhythms and nationalistic flair. Subsequent releases like "Jungle Bash" (2018) and "Chitty Chitty Bang!" (2019) showcased his affinity for dancehall and bass-heavy tracks, resonating with club-goers and festival audiences alike. In 2021, Santika's "Booty Call" and "Que Pasa" marked a shift towards more polished productions, blending urban beats with electronic elements. His 2023 single "Tequila" further exemplified this evolution, featuring catchy hooks and a fusion of electronic and vocal elements. The 2024 release "Mi Casa," a collaboration with Cinta Laura Kiehl and Liquid Silva, stands out as a cultural melting pot, combining Latin rhythms, urban energy, and electronic beats. This track not only highlights Santika's production prowess but also his ability to bridge diverse musical influences. Santika's recent performances at international festivals, including Tomorrowland Belgium, signify his rising prominence on the global stage. His continuous exploration of genres and commitment to innovation make him a noteworthy figure in the contemporary electronic music landscape.
Read more ... Soundcloud
X
AGNEZ MO
Released 10 October 2017
PT.SA
****-
A Confessional Leap into Global R&B
AGNEZ MO, born Agnes Monica in Jakarta, Indonesia, is a multifaceted artist whose career spans singing, songwriting, and acting. Transitioning from a child star to a pop icon in Southeast Asia, she rebranded as AGNEZ MO to reflect her international aspirations. Her music blends pop, R&B, and hip-hop, characterized by powerful vocals and dynamic performances. With collaborations alongside global artists and producers, AGNEZ MO continues to break cultural barriers, positioning herself as a prominent figure in the global music scene
X is AGNEZ MO's second English-language studio album and her first to receive international promotion. The album, produced primarily by Danja, delves into themes of love, empowerment, and personal growth, encapsulating AGNEZ MO's journey as an artist and individual.
The lead single, "Long As I Get Paid," combines traditional Indonesian aesthetics with contemporary R&B, reflecting AGNEZ MO's cultural roots and global outlook. The track's music video garnered over 1.3 million views within 24 hours, highlighting her widespread appeal.
Other standout tracks include "Damn I Love You," a heartfelt ballad exploring the complexities of love, and "Level Up!," an anthem of self-empowerment. "Million $ Lover" and "Karma" showcase her versatility, blending pop sensibilities with R&B grooves.
While X did not chart internationally, it received acclaim for its authenticity and production quality. AGNEZ MO described the album as her most personal work to date, with the title X symbolizing the Roman numeral for ten—her lucky number—and representing a decade of growth and experience.
X is a testament to MO's artistic evolution, offering a cohesive collection that bridges her Indonesian heritage with her global ambitions
Read more ... Wikipedia | Website
Balawan Bumi
Gamelan Orchestra
BALAWAN
Released 17 February 2022
BUMI: Balawan Untuk Musik Indonesia
****-
Electrifying Balinese tradition with jazz-fusion cheek, culinary jokes, and spiritual muscle—Balawan is a homecoming party nobody wants to leave.
I Wayan Balawan is Bali’s ambidextrous guitar maestro, globally renowned for his blazing finger-tapping style and genre-leaping virtuosity. A veteran of Indonesia’s jazz-fusion scene, he founded the group Batuan Ethnic Fusion to bridge electric improvisation with Balinese traditional music. With a double-neck guitar slung like a shaman’s kris, Balawan merges the sacred, the playful, and the profane, often blending lightning-fast fretwork with cultural humour and communal reverence.
His latest collaboration with the Bumi Gamelan Orchestra marks a bold return to his roots - not to rest, but to rewire tradition for the concert hall, the village square, and the international stage alike.
If Balawan were a feast, it would be equal parts temple offering, street food, and jazz jam session. With the Bumi Gamelan Orchestra in tow, Balawan doesn’t merely blend genres—he choreographs them, letting bronze gamelan and electric strings circle each other like old cousins at a wedding.
Opening salvo “War of Attraction” flexes both rock theatrics and rhythmic discipline, while “What’s in Bali Today” unfolds like a tongue-in-cheek travelogue powered by kendang drums, flute flutters, and sheer rhythmic joy. “Bangtiang Ngingel” and “Ririmemeri” turn ancient modes into playgrounds for melodic invention, and “Forest” sways with serene grandeur, like sunlight cutting through tree canopies in Ubud.
Balawan’s humour is intact: “Frog Fubkabilly” is a gleeful, frog-hopping romp, and “Mie Goreng”, perhaps the album’s most loveable track, turns Indonesia’s favourite noodle dish into a funky musical gag. “Take and Give” and “Nago” balance mischief with masterful dynamics, before “Klenyakcak Nok” closes the set with twitchy charm and syncopated glee.
This is not a jazz album in gamelan clothing, it’s something far rarer: a genuine collaboration between ancient forms and modern musicianship, full of heart, humour, and the conviction that tradition should never sit still.
Read more ... Wikipedia
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SambaSunda 30th Anniversary Live Performance
SAMBASUNDA
Released 25 March 2024
****-
A genre-defying triumph: part Sundanese ritual, part stadium-scale celebration, where bamboo flutes, pounding kendang, and electrified kecapi chart a jubilant, spiritual, cinematic journey.
Led by composer and multi-instrumentalist Ismet Ruchimat, SambaSunda is Indonesia’s flagship ensemble for progressive Sundanese music. Founded in the 1990s, the group reimagines traditional West Javanese idioms (gamelan degung, kacapi suling, jaipongan) within expansive modern arrangements that flirt with jazz, ambient, dance, and cinematic scoring.
Ruchimat’s early roots with Gugum Gumbira’s Jugala Orchestra instilled a taste for rhythmic fire and theatrical flair. Over three decades, SambaSunda has become a global ambassador of Sundanese fusion, equally at home in concert halls, outdoor festivals, or open-air street processions. The 30th Anniversary Live Performance is not a retrospective, but a living, breathing monument to the band’s protean imagination.
30th Anniversary Live Performance is less a concert than a pilgrimage, with kendang, suling, and voices that rise like incense, SambaSunda throws down a two-hour masterclass in scale, drama, and joy. Opener “Kulu-Kulu” thunders to life with percussive swagger, while “Bubuka” serves as the group’s calling card: mystical, precise, a ceremonial summons to attention. The iconic “Bambung Hideung” stretches into a hypnotic 7-minute showpiece, as haunting as it is heroic. Mid-set highlights like “Dadalati,” “Kembang Gadung” and the cheeky “Ecek” show the group’s effortless swing between folk melody and contemporary groove, while “Topeng Jemplang” is a theatrical epic, extending nearly 13 minutes without flagging, all masked drama and trance-inducing rhythm.
In the final third, the Rachimot sub-group takes the stage, offering smoother, jazz-flecked ballads like “Start & Dream Wake” and “Sweet Lies”. But it’s the ecstatic drive of “Tong Tolang Nangka”, the soaring “Song of Mother”, and the transcendent encore “Song for Kuwu” that draw the journey to a close, both grounding and elevating.
Read more ... Wikipedia
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Welcome To Bali (Instrumental)
KULKUL
Released 6 April 2017
demajors
****-
A shimmering instrumental postcard: part ceremonial processional, part sunset-chill compilation, where tradition and production finesse converge like waves lapping at a beachside temple.
KULKUL is a contemporary Balinese instrumental group, named for a drum tower in Balinese Hindu temple architecture, and led by multi-instrumentalist I Made Subandi, renowned for his masterful blend of gamelan with global grooves. While rooted in the ceremonial intensity of Balinese percussion (gongs, ceng-ceng, and kendang) the ensemble dares to incorporate cinematic atmospheres, downtempo textures, and studio polish without losing their ritual soul. Less fusion than dialogue, KULKUL aims to present Balinese music as simultaneously sacred and modern.
Welcome to Bali, their flagship instrumental album, avoids cheap exoticism in favour of immersion. It is an album designed as both a meditation on place and a passport for new listeners.
From the reverent opening strike of “Datanglah” (“Come Forth”), with its glistening metallophones and swelling ambient pads, it’s clear this isn’t your average tourism jingle. KULKUL channels the island’s layered sonic topography - temple bells, waves, scooters, roosters at dawn - into a focused, cinematic journey.
“Uluwatu” floats on plucked gangsa lines and gently rumbling gongs, building with hypnotic precision like a tide creeping up the cliff. The title track, “Welcome to Bali”, shimmers with hospitality but isn’t all postcard-perfect smiles—there’s tension beneath the surface, like a dance performed for unseen ancestors.
“Melencaran” injects percussive vitality, while “Bali Dance” does what it says on the tin, only it’s less tourist recital and more trance-state movement study. “Chandra” (“Moon”) brings a nocturnal elegance, rippling like moonlight on rice terraces, while “Mecanda” (“Teasing”) breaks the spell with a playful rhythmic flirtation. “Janger”, a nod to the gender-bending dance of the same name, is urgent and flirtatious. The closer, “Wina”, gracefully lets the listener down with shimmering restraint.
Neither fusion fluff nor folkloric museum piece, this is music for wandering minds and rooted souls. A triumph of mood, craft, and cultural care.
Read more ... LastFM
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The Sounds From Minahasa (Duo Kolintang)
DWIKI DHARMAWAN
Released 21 December 2021
Musicata Records, Sabuah Kolintang
****-
Exploring the indigenous heartbeats of North Sulawesi and blending Kolintang's traditional rhythms with his signature jazz sensibility: a soulful journey through Indonesia's rich musical heritage.
Dwiki Dharmawan is a highly respected Indonesian jazz keyboardist, composer, and arranger, known for his pioneering fusion of jazz with traditional Indonesian music. With a career spanning decades, Dharmawan has collaborated with international jazz icons and Indonesian music legends alike.
In The Sounds From Minahasa (Duo Kolintang), he delves deep into the rich traditions of Minahasa, a cultural region in North Sulawesi. Dharmawan's mastery of the Kolintang, an indigenous Indonesian percussion instrument, brings an introspective and innovative twist to this ancient art form, while paying tribute to the region's musical vibrancy and cultural history.
The Sounds From Minahasa (Duo Kolintang) transports listeners into the spirited heart of Sulawesi, where the Kolintang, the region’s iconic xylophone-like instrument, forms the backbone of a vibrant musical landscape.
“O Ina Ni Keke”, a traditional Minahasan lullaby, opens the album with reverence, as Dharmawan and Ferdinand Soputan's delicate interplay of marimba and Kolintang invokes a serene yet powerful atmosphere.
Throughout the album, Dharmawan and Soputan’s duo performance highlights their musical agility and intimate chemistry. “Tahanusang Sangihe” is a standout, where energetic rhythmic exchanges blur the lines between tradition and contemporary jazz, while “Oh Minahasa” feels like an anthem for the region itself—a proud celebration of cultural identity.
“Si Patokaan” adds a playful texture, its melodies dancing like the vibrant movements of a local festival, before “Ampar-Ampar Pisang – Cik Cik Periok” steps in, weaving playful, folksy rhythms into the modern jazz-infused framework.
The album's jewel, “Manuk Dadali”, a soaring traditional song about a bird, floats effortlessly between the grounded structure of Kolintang and the expansiveness of jazz improvisation. In closing, “From Indonesia With Love” encapsulates Dharmawan’s synthesis of his roots and the global jazz language—an emotive, introspective statement of cultural pride.
In essence, The Sounds From Minahasa is a bridge between ancient tradition and modern exploration, a mesmerizing testament to Dharmawan’s mastery and cultural reverence.
Read more ... Wikipedia
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Gong
SIMAK DIALOG
Released 30 April 2019
****-
A refreshing exploration of Indonesian jazz fusion, blending traditional Gamelan sounds with experimental jazz structures. A sonic journey that pays homage to cultural roots while pushing musical boundaries.
Simak Dialog is a innovative Indonesian jazz fusion band, renowned for their ability to blend traditional Gamelan instruments with modern jazz elements. Formed in the late 1990s, they have become one of the most influential groups in the Indonesian jazz scene, embracing the rich sonic textures of their cultural heritage while experimenting with jazz’s improvisational freedom. Their approach blends Eastern and Western musical traditions, creating a unique sound that has garnered both local and international acclaim. Gong, their 2006 album, marks a significant point in their creative evolution, showcasing their mastery in blending indigenous music with contemporary jazz forms.
On Gong, Simak Dialog strikes a perfect balance between tradition and innovation, utilizing the iconic Gamelan ensemble and intricate jazz structures to create a musical conversation that transcends cultural boundaries. The album opens with “Gong 1”, where the sustained hum of bronze gongs merges with layers of jazz improvisation, setting the tone for the expansive journey ahead. The deep resonance of the gongs serves as a foundation for the ethereal melodies that follow.
“Gong 2” pushes this fusion further, with rapid percussion exchanges and a free-flowing sense of rhythm that keeps the listener on edge. “Gong 3” takes a more contemplative turn, featuring delicate arrangements that allow each instrument to shine. As the album progresses, “Gong 4” introduces an intricate balance of tension and release, where the jazz improvisation dances around the steadfast gongs, creating an immersive texture.
Tracks like “Janger”, a nod to Bali’s traditional music, infuse the album with vibrant, rhythmic patterns, while “The Tramp” adds a touch of whimsy with its syncopated beats and playful, winding melodies. The final track, “Nyiur Hijau”, wraps the album in lush, tranquil soundscapes, drawing the listener back to the earth after the sonic adventure.
Gong is a stunning exploration of Indonesia’s musical heritage, filtered through the lens of jazz, and an essential album for anyone interested in the intersection of world music and modern improvisation.
Read more ... AllMusic
Weapon Of Choice
AIRILEKE
Released 30 August 2024
Sun Eater
*****
A volcanic blast of Melanesian percussion, dubwise urgency, and resistance rhythms: fusing ancient log drums with digital fury and delivering a soundtrack for decolonial dancefloors everywhere.
Airileke Ingram is a Papua New Guinean-Australian percussionist, producer, and activist whose work fuses traditional Melanesian rhythms with contemporary global bass, hip hop, and electronic production. With ancestral roots in Manus Island and a career spanning from the Sydney Olympics to Yothu Yindi and beyond, Airileke champions music as both cultural revival and political resistance. He’s a fierce advocate for Indigenous sovereignty, and his label Makoda supports grassroots artists across the Pacific. On this, his debut solo album, he breaks genre boundaries with a fierce palette of log drum beats, militant lyricism, and deep-dub atmospherics.
From the opening bars of “7 Mile Dub”, Airileke lays down his manifesto: roots deep in Port Moresby’s gritty outskirts, basslines heavy enough to shake a parliament building. His weapon of choice isn’t just rhythm—it’s revolution. This is not fusion for fashion’s sake; it’s fusion as friction.
Tracks like “Jump Outa Babylon” and “Maintain the Guerilla Struggle” don’t just namecheck resistance—they embody it. Clattering garamut (log drums) and digital grime collide in a glorious sonic melee, while “Wanchef” and “Munum” channel ancient ceremonial echoes into club-ready beats. Think Lee Scratch Perry raised in a canoe house, armed with Ableton Live.
Then there’s “Death Metal Jungle”, a tongue-in-cheek banger whose title is equal parts red herring and warning sign. It isn’t metal, but it’s definitely deadly. “Bubu Billy” and “Bulanbiri” tap into more playful energies, offering respite from the harder-edged calls to action. And “FTP”? Let’s just say the acronym needs no translation.
The album ends, appropriately, with “Will”, a slow-burning vow to ancestral futures. Airileke doesn’t just blend genres, he bends them to purpose. Weapon of Choice is a landmark album in Pacific contemporary music, full of raw spirit, tactical beats, and unshakable pride.
Read more ... Wikipedia